August, 2008

CHICAGO – While 2008’s “Death Race” makes no secret about being a remake of 1975’s “Death Race 2000” with David Carradine as the title character Frankenstein and Sylvester Stallone as his archrival Machine Gun Joe Viterbo, what’s perhaps less obvious but still clear is how the film steals from others.

CHICAGO – Rainn Wilson is more than just the popular NBC character Dwight Schrute. The bespectacled antagonist of “The Office” is nowhere in evidence this time around as Wilson sat down with HollywoodChicago.com to talk about his new film “The Rocker”.

Rating: 4.5/5.0

CHICAGO – Where have all the true eccentrics gone? Where are all those people who achieve a Zen purpose just because the challenge is there?

“Man on Wire” is a documentary that tells of such a challenge 34 years ago in another place and time.

Rating: 4.0/5.0

CHICAGO – While legendary writer and director Woody Allen can’t always be equated with sheer genius these days and is more accurately described as a hit-or-miss proposition, the sorely undermarketed and film-festival touring “Vicky Cristina Barcelona” serves as unquestionable retribution for his recently questionable work.

CHICAGO – While legendary writer and director Woody Allen can’t always be equated with sheer genius these days and is more accurately described as a hit-or-miss proposition, the sorely undermarketed and film-festival touring “Vicky Cristina Barcelona” serves as unquestionable retribution for his recently questionable work.

CHICAGO – For “Tropic Thunder” star and Chris Tucker protégé Brandon T. Jackson, the fictional Booty Sweat literally is his Hollywood calling card.

CHICAGO – Chicago theatre often surprises its audiences in the notorious fizzling summer months by providing us what I like to call “Christmas in July”. In this case, though, it’s August and Santa has hopped onto Route 66.

Rating: 3.5/5.0

CHICAGO – If god had a vajoojoo, Judd Apatow and company think it’d taste something like smoking “Pineapple Express”. There’s no question “Pineapple Express” is ultimately a stoner film, but is it the ultimate stoner film of our decade?

Always the most difficult proposition in a comedy is maintaining its comedic pacing with consistency.

CHICAGO – “High school is actually really important. It’s about formulating an identity, getting a path and sticking to it. A lot of the ghosts in your head that are critical can come from your high school years,” director Nanette Burstein said on her new documentary “American Teen”.