CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
HollywoodChicago.com Blu-Ray Reviews
Remember when we were growing up? We were LUCKY if we got a decent animated film once a year in the ’80s and we spent most of our Saturday mornings watching total junk that now passes as nostalgia. We can say that music, film, or even literature was better when we younger. Animation? No way. Just take a look at four recent releases of the animated form that perfectly show the breadth and remarkable quality of the medium (and, yes, animation is a “form,” not a “genre.”)
CHICAGO – “Non-Stop” gave audiences more than just “‘Taken’ on a plane” when it opened last February, and showed that the inflight experience is efficiently vulnerable action thriller territory. With audiences having taken a break from commercial airline chaos after 9/11, “Non-Stop” brought viewers back into the peril of an unsafe flight, but with a leading hero by Liam Neeson at the helm. Nevertheless, even when knowing how the flight ends, “Non-Stop” is a refined thriller that still has a grip on one’s attention in a second viewing as well.
CHICAGO – “3 Days to Kill” is a bit like “Taken,” in that it was co-created by French action maestro Luc Besson, but directed by somebody else. However, it is indeed not like “Taken” in that this movie never roars out of the gate, which is also about a multi-tasking American dad abroad looking for answers as a clock ticks.
The Criterion Collection continues to impress through the remarkable range of what it offers cineastes on a monthly basis. Look at the highlights of their May 2014 Blu-ray offerings, all currently available in stores and for online order. What on Earth do “Overlord,” “Like Someone in Love,” and “Red River” have in common?
CHICAGO – There is not quite any entertainment like a great John Wayne picture, and “McLintock!” certainly fulfills that expectation. But in adapting Shakepeare’s “Taming of the Shrew,” they forgot that the womenfolk had progressed a bit since the spankings that were liberally doled out against the wives and daughters.
CHICAGO – The story goes that when deciding on the project, director Peter Berg read a copy of Marcus Luttrell’s book “Lone Survivor” in one sitting. Whether this tale includes a bathroom break, or even a few days in-between but with usage of the same chair, for a director like Berg this story will always ring possible.
CHICAGO – Before Hollywood grappled with the unforgiving intensity of “12 Years a Slave,” they championed Steven Spielberg’s powerful film “Amistad,” years earlier, now available for the first time on Blu-ray. Densely comparing the movies is a difficult task considering their different perspectives, but they do stand as interesting bookends with how Hollywood has dealt with the American atrocity of slavery in their films.
CHICAGO – The Criterion Collection has added “Riot in Cell Block 11” (1954) to their stellar Blu-ray family, and the transfer is absolutely gorgeous, especially if you’re an admirer of the stark cinematography of the late black & white film era. Although dated, it still packs a gritty wallop.
CHICAGO – Flooding the market with the shaky cam, the growing use of found footage has had more impact on horror than any other genre. Sometimes it’s used to great effect. But more often than not, such films lack the craft needed to propel viewers into the nightmares. “Paranormal Activity: The Marked Ones” and “Devil’s Due” are cases in point.
CHICAGO – Mark Waters’ “Vampire Academy” is one of the more toothless attempts to make a “fetch” bloodsucker movie for the middle-high school crowd, to use a phrase from his revered teen comedy “Mean Girls”. Based on the six book series written by Rachelle Mead (which has sold 8 million copies worldwide) “Vampire Academy” the movie tackles teenage friendship in the chaos of high school with the same type of Waters’ “I’m not like a regular mom, I’m a cool mom” distance, but with even softer gloves.