CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
HollywoodChicago.com Blu-Ray Reviews
As a full-time film/TV/game critic and father of three, I very rarely have time to watch something more than once, even if it’s my favorite of the year. And yet I’ve revisited Spike Jonze’s “Her” twice now (for a total of three viewings) and it’s that very rare film that gets richer and more emotionally engaging with each subsequent viewing. I think by the end of the year, it might be my favorite film of 2013.
I’m sometimes in the mood for a bad movie. In the middle of the Chicago Critics Film Festival, weighed down with stress related to producing it and the serious subject matter of our films this year, I felt a need for a bit of movie fast food and popped in “I, Frankenstein,” recently released on Blu-ray and DVD. This movie cheeseburger will give you food poisoning.
CHICAGO – It does not take even a high school history class to understand the liberty used in “Stalingrad’s” presentation of its title siege. Boasted as the highest-grossing Russian movie ever, this former IMAX 3D event is the country’s own adaptation of the hero glorification seen in “300”, complete with copious slow motion and overflowing testosterone. Made with great pride but also a somewhat goofy sense of war, “Stalingrad” is as irreverent with its filmmaking style as it is reverent to the country’s glory.
CHICAGO – A TV movie for the silver screen, “Veronica Mars” is a historical film that was Kickstarted into existence by the will of 91,585 backers. Now, it stands like a crossroads in the intersection between TV and film, showing that what may work in TV doesn’t necessarily make for a great film.
CHICAGO – John Wells’ adaptation of Tracy Letts’ “August: Osage County” is a movie that fell off the radar in 2013 during the busiest time of the year. When we were all caught up in narratives of lone survival, or tales of how this country was morally eroded by financial excess, this loud ode to miserable family gatherings moved into theaters, scooped up a couple of Oscar nominations for its revered talent (Meryl Streep & Julia Roberts), and then vanished.
Did you think we’d ever live in a time when you could watch a guilty pleasure like “Weekend at Bernie’s” in pristine HD? Every few weeks here at HC, we bring to light classicc films coming to Blu-ray for the first time like “Sorcerer” or “Breaking the Waves” or “Bachelor Party.” Wait. What?
The Chicago Critics Film Festival is currently underway at the Music Box Theatre in Chicago (“I Origins,” “Willow Creek,” “Starred Up,” “Obvious Child,” “Animals,” and more have yet to play) but last year’s event still holds a fond place in the memory of Chicago’s film scene.
It’s hard to overstate the shock waves that Lars Von Trier’s “Breaking the Waves” made when it was released in 1996. It’s not as if LVT was a completely unknown commodity but this was a new level for the filmmaker in the way he both played with his form and embraced larger-than-life imagery. “Breaking the Waves” was both grounded in classic themes and felt like the coming-out party for Dogme, the movement founded by LVT that embraced natural filmmaking techniques like handheld cameras and sunlight.
CHICAGO – “Labor Day” is certainly a change of shade for writer/director Jason Reitman, who previously unearthed the humor in his American character dramas, however dark their content (such as with the dark but funny soul erosion of Charlize Theron’s non-matured mean girl in “Young Adult”). In this tale of an unexpected family unit, he doesn’t find humor but instead a thoroughly gray compassion.
CHICAGO – Ben Stiller plays Walter Mitty: a man whose constant daydreams about life are interrupted by a series of real-life adventures that may or may not help him find love and save his job. This is a sweet-tempered and often visually spectacular film. It has the guts to be really weird at times as well. The end result? The film is entertaining, but it’s just too scattered to really imprint on the average viewer. That’s too bad because Ben Stiller distinguishes himself here in way that real cineastes will appreciate.