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J.K. Simmons

Film Review: Boston is Strong Again in Reliable ‘Patriots Day’

CHICAGO – In the context of history, and the way information is consumed these days, the Boston Marathon Bombing in 2013 seems both like yesterday and a long time ago. Director Peter Berg’s “Patriots Day” is the first film account of that horrid week, and features Mark Wahlberg.

Film Review: ‘La La Land’ Will Create Love for Musicals Again

CHICAGO – “La La Land” has the spirit of an old time “Singin’ In The Rain”-type Hollywood musical, but this is no throwback or revival. It brings that spirit into the modern age and gets it to live, breathe, and thrive once again. It’s a beautiful technicolor spectacle that celebrates the whimsy of musicals, while finding a way to translate it credibly and wonderfully to the modern age.

Interview: Damien Chazelle & Rosemarie DeWitt of ‘La La Land’

CHICAGO – Bringing the musical movie genre back requires a bit of nostalgia, a nod to modernity and always old fashioned star power. Writer/director Damien Chazelle (“Whiplash”) combined all three to produce “La La Land,” with Emma Stone and Ryan Gosling as star-crossed lovers. Rosemarie DeWitt also has a featured role.

Film Review: ‘The Accountant’ is a Strange Indulgence for Ben Affleck

Accountant, The

CHICAGO – Remember the hilarious video of Ben Affleck during the “Batman v Superman” promotions, his blank stare synched up to the song “The Sound of Silence”? Well, he’s decided to take that expression to a mainstream role, as he blankly applies that manner to “The Accountant.”

Film News: ‘La La Land’ is Opening Night Film of 52nd Chicago International Film Festival

CHICAGO – The 52nd Chicago International Film Festival kicks off on Thursday, October 13th, 2016, with the highly anticipated film, ‘La La Land.’ The modern day musical, directed by Damian Chazelle (“Whiplash”) features Emma Stone and Ryan Gosling as two star crossed lovers.

Film Review: Susan Sarandon Plays Smother Mother in ‘The Meddler’

CHICAGO – Some mothers are born great, others have greatness thrust upon them. The Mom of “The Meddler” – portrayed with precise intuition by Susan Sarandon – is of the greatness-of-the-future variety, by simply evolving to be herself. Rose Byrne as daughter Lori tags along.

Interview: Director Lorene Scafaria Presents ‘The Meddler’

CHICAGO – The combining of icon Susan Sarandon and a “smother mother” from New Jersey is unbeatable, especially under the sure hand of writer/director Lorene Scafaria. The distinctive voice that brought us “Seeking a Friend for the End of the World,’ now is taking on mother/daughter relationships in “The Meddler.”

Film Review: ‘Zootopia’ is an Odd But Endearing Disney Animated Film

CHICAGO – Walt Disney Studio’s latest animated extravaganza is best viewed as a child’s introduction to the buddy cop movie, since you can’t exactly start a toddler on “Midnight Run” or “Lethal Weapon 2.” But in this case it’s a bunny cop movie.

Film Review: Familiarity of ‘Terminator Genisys’ Also its Flaw

CHICAGO – The “Terminator” series means so much to so many film fans. What began as a modest sci-fi “what if?” morphed into now four sequels, billions of box office dollars, and the cementing of Arnold Schwarzenegger as an action film titan. It’s all mixed together again in “Terminator Genisys.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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