Movie Review

Kumail Nanjiani is the Only Reason to See ‘Stuber’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Kumail Nanjiani is reaching the next level of stardom. Recently, he was the best thing in the rebooted “MIB: International” (as a cartoon sprite), and now he is the only reason to indulge in “Stuber.” Kumail portrays a nervy UBER driver named Stu (get it?), and upholds everything about the buddy movie that is enjoyable. The rest of it, including his buddy Dave Bautista, land with a dull thud.

Unbelievable Story is Key to ‘Framing John DeLorean’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The story of auto impresario John DeLorean is definitely one of truth is stranger than fiction, but also has a basis in “what ifs?” The fascinating new documentary of his life tells that story, breaking down the vagueness of how a former General Motors superstar got involved in a drug deal to save his own car company. As always, a situation like that has more loopholes.

Mind-Blowing ‘Midsommar’ is Disturbing and Beautiful

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “Midsommar” is beautifully composed, disturbing in nature and very very Swedish. Writer/Director Ari Aster creates a stunning sophomore effort (after his brilliant debut “Hereditary”) that is pure cinema, and weaves a fantastical tale of humanity stripped to its bare bones. It moves a bit slow, but it also builds to something completely original and unexpected.

Fireworks for the 4th in ‘Spider-Man: Far From Home’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Spider-Man: Far From Home” is remarkably light on its feet considering it takes place in the wake of the events of “Avengers: Endgame.” After the five year period between finger snaps which is now referred to as “the blip,” Peter Parker (Tom Holland) and some of his classmates have returned the same age, while everyone else has gotten five years older.

‘Yesterday’ is a Can’t-Miss Premise That Still Misses

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – As a Beatles fanatic who has a band because of their existence, the premise of “Yesterday” was can’t miss. A man wakes up after an accident to discover he’s the only person to know that The Beatles existed? Sign me up and buy me popcorn. It’s unfortunate that the story went in a direction that did miss.

Horror is Worth a Visit in 'Annabelle Comes Home'

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There is such an unnerving quality to older dolls, which is why they lend themselves so perfectly to horror stories. There’s just an unsettling feeling when looking at their static expression, usually plastered with a permanent smile that gives me terrible flashbacks to when I worked retail. Oddly enough, “Annabelle Comes Home” similarly elicits familiar feelings of terror but channels it through an 80’s horror homage.

Less Black Magic, More Black Mirror is a Success in 'Child's Play'

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – There are some fears in this world that seem irrational to us. Like a fear of clowns or the fear of using an elevator. Horror films are at the core of some of these fears, with the truly great ones creating new things to fear. The “Child’s Play” franchise may have had its roots in psychopathic soul transfers, but the update focuses on the ghost in the machine.

Another Winner from the Creative Team of ‘Toy Story 4’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When you’ve brought to life one of the greatest animation series ever produced, there is not much to prove. The “Toy Story” series has relied on the strong and emotional stories since 1995, and after a nine year break comes back for one more intriguing spin for their characters, finding a new path in “Toy Story 4.”

'The Dead Don't Die' Offers Full-On Horror Homage But Little Else

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Before Jordan Peele, before Mike Flanagan, before James Wan, and especially before all of Blumhouse, there were other masters of horror who paved the way for the filmmakers we know today. The Carpenters, the Cravens, and the Argentos of the world helped turn horror into the thriving genre it is today. Jim Jarmusch’s “The Dead Don’t Die” openly acknowledges this with their love letter approach to the genre itself.

‘The Secret Life of Pets 2’ Feels More Like a Cat Nap Than Catnip

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – As a pet owner, I know firsthand that I want an exciting life for my guinea pigs. When I’m off at work, I’d like to think that they throw parties or have some sort of hangouts with other guinea pigs or pets in the area. The alternative being the sad realization that they are stuck in their cage while I’m away, probably bored out of their little minds. “The Secret Life of Pets” franchise continues to brings the fantasy to life, even if the sequel feels too tame.

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