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Movie Review

‘Sex and the City: The Movie’ a Frilly University For Understanding the Human Condition

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – To its voracious universe of cult-following fans, it feels like a television marathon that spans an entire season. To everyone else who bats an indifferent eye at the religion that is “Sex and the City,” it may surprise you to find that all the glam and glitz has something even for you to learn, too.

Despite its Title, ‘The Strangers’ Actually a Familiar Repeat of Horror Film Conventions

HollywoodChicago.com Oscarman rating: 1.5/5CHICAGO – Poor Liv Tyler. She’s stuck in a remote vacation home with nothing but the blank-stare acting of Scott Speedman to “save” her. What’s a rock daughter who becomes an actress to do? First, she shouldn’t sign onto yet another version of the couple-in-terror cliché.

After 19 Years, ‘Indiana Jones and the Kingdom of the Crystal Skull’ Phenomenally Exhumes Venerated Roots

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – After such a long respite from the beloved film progression, I was initially just as skittish about seeing Harrison Ford back in the Indy saddle as I was watching Sylvester Stallone back in the ring in “Rocky Balboa” in his 2006 comeback and then again in 2008 in his “Rambo” return.

‘The Witnesses’ Bear the AIDS Burden of a Time Less Remembered

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – While Paris, France in 1984 probably wasn’t as romantic as the Paris in several of its other lionized eras, it existed just the same. As portrayed in “The Witnesses,” it was an age that may have been more uncertain than the others based on a melting pot of inhabitants who immigrated to the City of Lights in search for a new life.

‘Body of War’ Confronts Grisly Realities of U.S. War Mistakes in Iraq

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – They are invisible in the current war, which has lasted longer than World War II. It’s the soldier in Iraq who fights on – in the face of public apathy at home – and who carries out the decisions of an administration that has chosen to hide their caskets in death.

Packed With Picturesque Majesty, ‘The Chronicles of Narnia: Prince Caspian’ Fights Nobly For ‘PG’ Rating

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – For the life of me, I couldn’t exorcise it from my head. Amid all the splendor of such a picturesque film, this one question was like a gnat I couldn’t swat: “Is this really rated ‘PG’?” Indeed, “The Chronicles of Narnia: Prince Caspian” is rated “PG”. But that didn’t come without great scrutiny and much editing.

Star-Crossed Lovers Create Road to Ruin in ‘Before the Rains’

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – By its very nature, colonialism is bad karma waiting to happen.

You are a sovereign nation with weaponry and a desire for treasure. While you invade and take over a country with that treasure, it also comes with a society you don’t understand. You stir in religious dogma, native slavery and the defiling of lands and create an evil stew that’s ripe to boil over.

‘Speed Racer’ Condemns Franchise Dignity, But Delivers Sensorial Explosion

HollywoodChicago.com Oscarman rating: 2.5/5CHICAGO – While Hollywood slapped “PG” on the hotly anticipated “Speed Racer” to line its pocketbooks with the widest hodgepodge of people (ahem: kids) everywhere, those same kids will leave the theater with that lollipop nearly sucked to the stick but then yanked away with confusion.

‘Iron Man’ Sits Indisputably in Club of Highest-Rated Superhero Movies of All Time

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – Move over, Superman. This lush, high-octane playboy never tasted so good.

Robert Downey Jr. fittingly opens “Iron Man” with a cocktail in hand and all the arrogance in the world. As the story goes, his conceit is indeed respected as Earth is his oyster both for the playing and for the taking.

Director Uwe Boll Pukes Out Another Opus of Insufferable Screen Time in ‘Postal’

HollywoodChicago.com Oscarman rating: 0.5/5CHICAGO – At the Chicago screening of “Postal” for critics, director Uwe Boll introduced his new film as a personal “The Kentucky Fried Movie” attacking the heart of America. Boll – a German national – has produced several “B”-grade movies in both Germany and the U.S.

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