Movie Review

Rating: 2.5/5.0

CHICAGO – Tran Anh Hung’s adaptation of Haruki Murakami’s 1987 novel has garnered a bevy of negative reactions from literary fans, and it’s easy to see why. Pivotal characters remain underdeveloped despite the film’s two-hour-plus running time. Grand gestures are made without any tangible motivation. And epic romances are explored only through a few lustful glances.

Rating: 2.0/5.0

CHICAGO – The September 11th tragedy is still percolating through the cinematic filter, and there is a well intentioned thread throughout the various interpretations. But the latest attempt, “Extremely Loud and Incredibly Close,” stretches this intention too far, despite a cast featuring Tom Hanks and Sandra Bullock.

Rating: 4.0/5.0

CHICAGO – Steven Soderbergh is one of the few directors who can do whatever the hell he wants. Whatever genre, whomever he casts, whichever story he chooses to tell – he pulls it off. He hasn’t made anything approaching a stumble since 2004’s “Ocean’s Twelve” (and, believe it or not, there have been eight films released since including this one) and his latest, “Haywire,” serves as further evidence that any conversation of the best working directors that doesn’t include him is incomplete.

Rating: 3.0/5.0

CHICAGO – The old fashioned musical has gotten a boost from the recent popularity of “Glee” and other singing shows. It was inevitably that the marriage of the gospel choir and the movie musical would take place, and writer/director Todd Graff (”Camp”) is the matchmaker in “Joyful Noise.”

Rating: 4.0/5.0

CHICAGO – Ever since stumbling upon his 2005 directorial debut, “Kissing on the Mouth,” I’ve been deeply transfixed by the cinema of Chicago filmmaker Joe Swanberg. There’s a startling honesty to his work that is unmatched by many of his peers, as well as a near-obsessive desire to capture the “truth” in his fictional characters. He never shies away from sexual frankness or raw intimacy if they are required to serve the story.

Rating: 2.5/5.0

CHICAGO – One way to craft an unforgettable, undeniably adept film is to make a new one. Hollywood views that as financially risky, though, and it often doesn’t happen without being based on a book with a built-in audience or a film that’s already an international box-office success.

Rating: 3.0/5.0

CHICAGO – It would be a cheap jab to say that “The Iron Lady” is a drag version of “J. Edgar,” and also redundant (hyy-ooh). Meryl Streep takes on the role of former British Prime Minister Margaret Thatcher, with a dreamy and vague interpretation of the PM’s life that at times feels like it’s told through the wrong end of a telescope.

Rating: 4.0/5.0

CHICAGO – It is a tale as old as time, and a film almost as old as I am. After the success that Disney had bringing “The Lion King” back to theaters this past September, it is no surprise that they have decided to bring four more films back to the theaters, starting with the classic tale “Beauty and the Beast,” which was first released in November of 1991.

Rating: 3.5/5.0

CHICAGO – Roman Polanski may not seem to be the first choice for a film about culture clashes in New York City but he has notable experience with dramas with only a few characters in a few locations (“Knife in the Water,” “Cul-de-sac,” “Death and the Maiden”). He knows how to build character tension through interaction – the games people play with words.

Rating: 3.5/5.0

CHICAGO – The sorrows of war has been played out too many times in our so-called modern age. The excessively cruel Bosnian war – a three year conflict that introduced the vile term “ethnic cleansing” – is the background of Angelina Jolie’s directorial debut, “In the Land of Blood and Honey.”