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Movie Review

Diversity & High Quality in 2018 Oscar-Nominated Live Action Short Films

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – From deafness to religious conflict to one of the most vicious events in American history, the Oscar nominated Live Action short films fulfill the drama, emotions and even laughs in a compact form. The 2018 Live Action Shorts nominees are being shown in one program, locally at the Landmark Century Centre Cinema in Chicago. Click here for more information. The Animations Shorts are also being shown.

Strange ‘15:17 to Paris’ Can’t Make the Connection

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – What’s up with Clint Eastwood, and why in the Sam Hill did he attach himself as director to this film? Also, why was the decision made to use the actual rescuers as the actors in a true terrorist train incident? Nothing adds up in the strangely disconnected “15:17 to Paris.”

Zen and the Art of Cinema in ‘24 Frames’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The legendary Iranian filmmaker Abbas Kiarostami (“Certified Copy”) passed away in 2016, but he left one more meditation on cinema and illusion, in the artistic “24 Frames.” Yes, it refers to the number of still photos that make up a second of film, but in this case it is also Kiarostami’s observations of stillness in motion.

Final Chapter of ’Fifty Shades Freed’ for Masochists Only

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Only masochists and other gluttons for punishment will be heading to the theaters for “Fifty Shades Freed.” But be sure to grab a blindfold, because you can at least get 40 winks while the incompetent and unintentionally hilarious Fifty Shades Trilogy reaches its deadly dull climax.

Humankind Gets a Necessary Lesson in ‘The Insult’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The clash of ideologies or religion that result in war is one of the most emotional of reasons to fight (and convenient for those who manipulate such emotions). “The Insult,” a contender for Best Foreign Language Film at the Oscars, shows how feelings can escalate to bitter conflict.

‘Maze Runner: The Death Cure’ Has Run Out of Life

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

Inflammatory ‘In the Fade’ is the State of Our Now

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – In one of the more truthful and contemporary films of 2017, “In the Fade” is a German/French production about the fallout due to a terrorist act. What it also emphasizes is the generated hatred, frustration and waste of such acts, and its textual story is stunning and distressing.

‘12 Strong’ Wins the Battle as it Loses the War

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – In the 16 years of the U.S. and Afghanistan war, which began a month after Sept. 11, 2001, the U.S. has spent trillions of dollars and lost 2,400 soldiers. The story of that war’s first battle, “12 Strong,” would probably be more revelatory if we weren’t still there.

‘Phantom Thread’ is Both Beautiful and Muddled

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There is a certain beauty in human creation, and the fashion industry allows that we can be individual in the sense of our clothing choices. The perfection that those creators attend to is nicely defined in “Phantom Thread,” but as an exploration of their personal life, it is frustrating.

Annette Bening Proves ‘Film Stars Don’t Die in Liverpool’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGOGEORGE BAILEY: “Hey, you look good. That’s some dress you got on there.” VIOLET: “This old thing? I only wear it when I don’t care how I look.” That is how actress Gloria Grahame (as Violet Bick) was introduced in the classic “It’s a Wonderful Life”. Now she is portrayed by Annette Bening in “Film Stars Don’t Die In Liverpool”.

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