CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.
Adam Fendelman
‘Cake’ Serves Emotionally Honest, Career-Growing Dramatic Role for Jennifer Aniston
Submitted by HollywoodChicago.com on January 24, 2015 - 5:14pmRating: 4.0/5.0 |
CHICAGO – It’s been a while since I walked out of a screening so affected and feeling that I just experienced a truly honest, important film.
Sure, other ones have since, but back in 2007, “Once” especially made me feel that way long before the Oscars.
Bradley Cooper’s ‘American Sniper’ is Entertaining, One-Sided American Propaganda
Submitted by HollywoodChicago.com on January 18, 2015 - 7:22pmRating: 3.0/5.0 |
CHICAGO – I understand why they did it. But that doesn’t make it right to do.
In order to earn sign-off from Chris Kyle’s family and the U.S. Navy – and to appease the patriotic American public – “American Sniper” needed to make the U.S. military’s most lethal sniper nicer than he actually was and generalize a people as people you should hate.
Four Fairy Tales Charmingly Unite in Hollywood, Broadway Merger of ‘Into the Woods’
Submitted by HollywoodChicago.com on December 24, 2014 - 5:25pmRating: 3.5/5.0 |
CHICAGO – Neither Hollywood nor purely Broadway, Disney’s big-screen adaptation of the Stephen Sondheim musical “Into the Woods” finds a charming home on Hollyway. Even if you’re not a “musical kind of person,” I challenge you not to want to sing along to the catchy tunes or laugh at the intentionally overdramatic comedy.
Too-Long ‘The Hobbit: The Battle of the Five Armies’ Delivers on Intimate, Hand-to-Hand Combat
Submitted by HollywoodChicago.com on December 17, 2014 - 3:49pm- Adam Fendelman
- Benedict Cumberbatch
- Billy Connolly
- Cate Blanchett
- Christopher Lee
- Evangeline Lilly
- Fran Walsh
- HollywoodChicago.com Content
- Hugo Weaving
- Ian McKellen
- J.R.R. Tolkien
- Lee Pace
- Luke Evans
- Martin Freeman
- Movie Review
- Orlando Bloom
- Peter Jackson
- Philippa Boyens
- Richard Armitage
- The Hobbit
- The Hobbit: The Battle of the Five Armies
- Warner Bros. Pictures
Rating: 3.5/5.0 |
CHICAGO – Though he’s never been called it before in scientific speak, I’m saying it now: Peter Jackson is a master of mitosis. He’s one of Hollywood’s best in splitting up the cinematic cellular DNA of one story into three because, apparently, he can’t do epics unless they’re in groups of three.
‘The Hunger Games: Mockingjay – Part 1’ Shouldn’t Have Been Split in Two
Submitted by HollywoodChicago.com on November 23, 2014 - 7:03pm- Adam Fendelman
- Danny Strong
- Donald Sutherland
- Elizabeth Banks
- Francis Lawrence
- HollywoodChicago.com Content
- Jeffrey Wright
- Jena Malone
- Jennifer Lawrence
- Josh Hutcherson
- Julianne Moore
- Liam Hemsworth
- Peter Craig
- Philip Seymour Hoffman
- Sam Claflin
- Stanley Tucci
- Suzanne Collins
- The Hunger Games: Mockingjay - Part 1
- Woody Harrelson
Rating: 2.5/5.0 |
CHICAGO – My issue with the “one movie split into two parts” debate isn’t even about money, which is clearly the main reason why we’ve seen blockbuster films do it like the two-part “Harry Potter and the Deathly Hallows” and now the two-part “The Hunger Games: Mockingjay”.
Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’
Submitted by HollywoodChicago.com on November 7, 2014 - 2:45pm- Adam Fendelman
- Anne Hathaway
- Casey Affleck
- Christopher Nolan
- Collette Wolfe
- David Oyelowo
- Ellen Burstyn
- Elyes Gabel
- HollywoodChicago.com Content
- IMAX
- Interstellar
- Jessica Chastain
- John Lithgow
- Jonathan Nolan
- Leah Cairns
- Mackenzie Foy
- Matt Damon
- Matthew McConaughey
- Michael Caine
- Movie Review
- Topher Grace
- Wes Bentley
Rating: 4.0/5.0 |
CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.
Disturbingly Refreshing, Jake Gyllenhaal in ‘Nightcrawler’ is an Anti-Hero You Can’t Stop Watching
Submitted by HollywoodChicago.com on October 31, 2014 - 5:20pmRating: 4.0/5.0 |
CHICAGO – “No one talks like that,” I kept thinking to myself about this noir thriller. But that said, “Nightcrawler” is driven by just about the most entertaining dialogue from one person I’ve seen all year.
The Worst Horror Film of 2014, ‘Ouija’ is ‘Mama’ From 11 Narcoleptic Producers
Submitted by HollywoodChicago.com on October 24, 2014 - 7:59pm- Adam Fendelman
- Ana Coto
- Bianca Santos
- Blumhouse Productions
- Daren Kagasoff
- Douglas Smith
- HollywoodChicago.com Content
- Insidious
- Jason Blum
- Juliet Snowden
- Movie Review
- Olivia Cooke
- Ouija
- Paranormal Activity
- Shelley Hennig
- Sierra Heuermann
- Stiles White
- The Purge
- The Texas Chainsaw Massacre
- Universal Pictures
Rating: 1.0/5.0 |
CHICAGO – Out of respect for the filmmakers and actors, I don’t walk out on films. I hold true to that even when I know in the first 10 minutes the film’s not for me. Perhaps the second act could surprise me. Maybe the whole film is a flop but it redeems itself with shock and awe in the last 5 minutes.
‘The Best of Me’ is the Worst of Formulaic Romance Novelist Nicholas Sparks
Submitted by HollywoodChicago.com on October 17, 2014 - 11:31pmRating: 1.0/5.0 |
CHICAGO – What do you see in the compilation image below?
Yes, it’s nine films based on books by romance novelist Nicholas Sparks. But look more closely. “Message in a Bottle” opened his can of worms in 1999 and 2002’s “A Walk to Remember” could only say it was based on a best-selling novel.
Artificially Glorified ‘Dracula Untold’ Lacks Reason for Being Retold
Submitted by HollywoodChicago.com on October 11, 2014 - 6:02pmRating: 2.0/5.0 |
CHICAGO – For moviegoers, each new film is a chance to escape, feel, fear, cry, be thrilled or laugh. Filmmakers and actors want you to experience this range of emotions, but producers and investors care most about the film making money. That’s why Hollywood is scared of truly original stories. Originality is an unknown without a built-in fan base.