Adam Fendelman

Joseph Kahn’s Self-Funded Josh Hutcherson Indie ‘Detention’ Deserves Cult-Hit Status

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Don’t be duped by Joseph Kahn’s insultingly unintelligent trailer for his new ADHD high school slasher/comedy “Detention”. Rather than prematurely blowing his load with the film’s crème de la crème in a two-minute trailer, he’s done the reverse. Kahn – who scraped much of this “indie” film’s $10 million budget from his own pockets – has set up disappointed trailer watchers to discover a hidden gem in his second feature-length film.

‘John Carter’ is Poor Man’s ‘Star Wars,’ ‘Avatar’ With Kitschy Taylor Kitsch, Soft-Porn Lynn Collins

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Usually it’s critics critically flogging a film when we say it weakly lacks originality and borrows too heavily from others. Disney’s “John Carter” attacks that classic grumble by promotionally comparing itself to “Star Wars” and “Avatar” before critics even had a chance to deduct points for it.

Found-Footage Fanboy Film ‘Chronicle’ is Aimlessly Lost

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Chronicle,” which stars blah, blah and blah with a special appearance by blah (you wouldn’t know these unknowns any way), is the latest found-footage film to find itself lost, lacking purpose and devoid of a cohesive plot. This film’s fanboy ejaculate loves you short time as it spews the buildup of what could be interpreted as a “story” and ultimately ends without one.

Mark Wahlberg’s ‘Contraband’ Steals Half Justice From Icelandic Conquest

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – One way to craft an unforgettable, undeniably adept film is to make a new one. Hollywood views that as financially risky, though, and it often doesn’t happen without being based on a book with a built-in audience or a film that’s already an international box-office success.

Jason Reitman, Diablo Cody Sway Us to Like the Unlikable in ‘Young Adult’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Mavis Gary (Charlize Theron) isn’t a girl you’d Facebook like. She’s got one too many dark passengers, she’s a repugnant drunk, she likes too much pink, her white dog is too puffy and most would consider it less than Usher cool that she’s throwing herself at a married man she couldn’t bag back in high school. Or is she? And is Mavis so different than you?

‘The Twilight Saga: Breaking Dawn -- Part 1’ Hardly Even Bewitches Twi-Hards

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The bloated franchise’s worst film without question, the fourth “Twilight” popcorn flick is a futile exercise on the disappointment of anti-climactic waiting. Waiting for something more. Waiting for something bigger. For 117 minutes, you’re waiting – for something – but just not ever getting it. It doesn’t sparkle or shine. It flickers, and then disappointingly dies.

‘Real Steel’ Overcomes Harebrained Premise With Heart, Quenching Hollywood Wizardry

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Try selling a friend on paying to see a movie with you about machine-operated boxing where humans control robots for money.

Just call your friend on his Motorola DynaTAC retro brickphone and say: “Hey, Billy! Remember all those swell nights we had as kids when I smoked you every time in Rock’em Sock’em Robots with our two dueling robot boxers mechanically manipulated by us?

Following a Perfect 1994 Release, ‘The Lion King 3D’ a Money-Hungry, Manipulative Exploitation

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – While “The Lion King” is one of the best Disney movies of all time, “The Lion King 3D” is a manipulative exploitation to bring paying parents back with their kids merely through the sexiness of today’s 3D fad.

Jesse Eisenberg’s ‘30 Minutes or Less’ is Half Funny, Wholly Disappointing

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The new half-unfunny comedy “30 Minutes or Less” stands as a destructive come down for newly minted star Jesse Eisenberg following his high-profile role as Facebook founder Mark Zuckerberg in David Fincher’s “The Social Network”.

Despite Disastrous Skinny Steve, ‘Captain America: The First Avenger’ is Perfectly Imperfect

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With mammoth special effects budgets carelessly puked into blockbuster films these days without story or heart, it’s effortless to wow audiences with beguiling explosions and one or two trademark, “The Matrix”-like innovations.

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  • Manhunt

    CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.

  • Topdog/Underdog, Invictus Theatre

    CHICAGO – When two brothers confront the sins of each other and it expands into a psychology of an entire race, it’s at a stage play found in Chicago’s Invictus Theatre Company production of “Topdog/Underdog,” now at their new home at the Windy City Playhouse through March 31st, 2024. Click TD/UD for tickets/info.

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