CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.
Adam Fendelman
Despite a Ferrari Predecessor, ‘Cars 2’ is a Honda Requiring Repair
Submitted by HollywoodChicago.com on June 24, 2011 - 4:16pmRating: 2.5/5.0 |
CHICAGO – “Cars 2” is an unequal Pixar blend for adults and kiddies that never evolves into the storytelling success of its predecessor. The film, which draws thematic elements from “The Bourne Identity,” “Beverly Hillbillies” and “Transformers,” is a Honda needing a body shop as compared to the pristine Ferrari that was “Cars”.
‘The Hangover Part II’ a Funny, Formulaic, Desperately Shocking Carbon Copy
Submitted by HollywoodChicago.com on May 26, 2011 - 9:52pmRating: 3.0/5.0 |
CHICAGO – Business and creative people go together as well as fine wine at a burger joint. Riding on the heels of the monumentally profitable “The Hangover,” the brass win out over the artists in “The Hangover Part II”.
Despite Loveless Love Story, ‘Thor’ Deserves Your Popcorn-Flick Dollar
Submitted by HollywoodChicago.com on May 7, 2011 - 9:13pmRating: 3.5/5.0 |
CHICAGO – When big-budget films set their sights on being the next Hollywood blockbuster, they’re almost always built on a formulaic groundwork of proven ingredients. While these films often lose points for much of the same and little of the new, plunking a mighty $150 million into the production “Thor” has found a way to be both formulaic and successful.
Tensionless ‘Water For Elephants’ Fatally Mismatches Leads, Casts Spot-On Supporters
Submitted by HollywoodChicago.com on April 23, 2011 - 12:25amRating: 2.5/5.0 |
CHICAGO – While Robert “Twilight” Pattinson has persuasively branched out beyond his typecasting of reanimated and preternatural corpses, his miscast union in the tensionless “Water for Elephants” with pin-up circus spectacle Reese Witherspoon works as well as an elephant trying to spoon a sworn-enemy lion.
Bradley Cooper’s ‘Limitless’ Unlocks 100% of Hollywood’s Ridiculousness
Submitted by HollywoodChicago.com on March 18, 2011 - 4:39pmRating: 2.0/5.0 |
CHICAGO – If you’re not easily susceptible to vertigo and can survive the intro cut scene, “Limitless” proceeds to treat you to one part thrill ride and one part exercise in ridiculousness. While we often go to the movies to escape, “Limitless” manipulatively exploits our deepest and darkest desires for wealth, power and Google-like global conquests.
Unintentionally a Laughable Thriller, ‘Red Riding Hood’ Proves ‘Twilight’ Formula Can Flop
Submitted by HollywoodChicago.com on March 11, 2011 - 1:25amRating: 1.5/5.0 |
CHICAGO – Catherine Hardwicke, who only directed the first “Twilight” and none of the following franchise films because she felt rushed and financially constrained, has cleverly figured out how to make another “Twilight” under the guise of the name “Red Riding Hood”.
MIchael Bay-Produced ‘I Am Number Four’ a Solid Block of Superhero Gouda
Submitted by HollywoodChicago.com on February 18, 2011 - 1:01amRating: 2.5/5.0 |
CHICAGO – While the new sci-fi/superhero film “I Am Number Four” can be easily dismissed as yet another “Twilight” knockoff, the power of two mega-producers arms the film with nearly as much right as it does wrong. Thankfully for Chicagoans the film doesn’t star Brett Favre because of his numerical jersey affiliation, but with a story this weak, that stretch wouldn’t be too far.
Jason Statham in ‘The Mechanic’ is a Mindless Repeat of All Prior Gun-Toting Slayers
Submitted by HollywoodChicago.com on January 28, 2011 - 3:28pmRating: 2.5/5.0 |
CHICAGO – It wouldn’t be a Jason Statham film if in it he was just fixing cars. In “The Mechanic,” his profession is fixing people. And by fixing, like “The Transporter” he’s again cracking skulls.
‘The Green Hornet’ Overly Limelights a Cavalier But Thrilling Seth Rogen
Submitted by HollywoodChicago.com on January 15, 2011 - 6:09pmRating: 2.5/5.0 |
CHICAGO – “The Green Hornet,” which could have been titled “The Seth Rogen Show,” is an uneven mix between a stroke of comic book genius and a self-righteous attempt at being both comedy and drama. The untidy story is wrapped inside a messy box that’s a portion of what it successfully is and what it should have been.
Lopsided ‘TRON: Legacy’ is Heavy on Visuals, Light on Humanity
Submitted by HollywoodChicago.com on December 17, 2010 - 7:27pmRating: 3.0/5.0 |
CHICAGO – Every great film is a delicate balance of a number of critical elements. Good films lack in one department while mediocre films have serious gaps that stick out like a red dress at a funeral. The overall mediocre “TRON: Legacy” is exceedingly fixated on its impressive visual effects while neglecting to focus on creating an evocative and humanized story.