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Al Pacino

‘Stand Up Guys’ Worst Waste of Talent Since Booth Shot Lincoln

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Three actors, with three Oscars and an astounding 14 nominations between them, obviously have lost the ability to read a script late in their careers. That or the producers had dirt on them. There is no other reason why Al Pacino, Alan Arkin and Christopher Walken would be the “Stand Up Guys.”

Adam Sandler Sticks to Formula in ‘Jack and Jill’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – No one will ever accuse Adam Sandler of not knowing his audience and the reason they keep coming back to his “Happy Madison” genre of films – he delivers the oddball characters, lots of bodily fluids/sounds, physical beatings and the know-it-all straight man. Add the gooey sentiment and out spews the latest, “Jack and Jill.”

Channing Tatum Stars in Inconsistent ‘The Son of No One’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Director Dito Montiel and star Channing Tatum were once tagged with the label of the hot new debut artistic partnership. 2006’s great “A Guide to Recognizing Your Saints” introduced both men to the world and it felt like it could be the calling card for a creative team to someday rival Scorsese and De Niro.

Like a Bad ‘Law & Order,’ ‘Righteous Kill’ With Al Pacino, Robert De Niro Lacks ‘Heat’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Last fall, Francis Ford Coppola made the comment that Al Pacino and Robert De Niro (along with Jack Nicholson) had lost their ambition. Coppola essentially said they have been phoning in their performances and picking safer movies. “Righteous Kill” could be the case study to that argument.

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  • The King of Comedy

    Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.

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