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Amy Adams

Up Up & Away for DC Comic Branded ‘Justice League’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In the America of truth, justice and comic book movies, the DC brand – featuring hero icons Superman, Batman and Wonder Woman – has lagged behind their rivals at Marvel Studios. “Justice League” fills that gap admirably, after the slam-bam summer of Wonder Woman.

‘Nocturnal Animals’ Takes Two Stories to New Levels

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Reality and fantasy have separate rules, and in fantasy there are no rules. This is the philosophy of “Nocturnal Animals,” a wild character study that exists on the reality/fantasy planes. And it has the bonus of the Amy Adams/Isla Fisher mix-up and Jake Gyllenhaal at his Gyllenhaal-iest.

Science of the Human Condition Makes an ‘Arrival’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The film genre of aliens from other planets is as old as the movies. But it hasn’t been told as boldly and humanely as the new film “Arrival.” Its theme is communication, and how this interaction relates to the concept of the life cycle. Yes, it’s lofty, but it is also edge-of-the-seat engaging.

‘Batman v Superman: Dawn of Justice’ is Both Despairing & Disappointing

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Dang it, DC Comics and Warner Bros.! Two of my favorite comic book characters get dragged through a dull mud in “Batman v Superman: Dawn of Justice.” There is a dawn all right, but instead of the bright sun over the horizon, it’s a full mooning to the fans who anticipated the film.

‘Big Eyes’ Too Conventional to Generate Any Interest

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – What’s up with Tim Burton? His style is hardly present in the straightforward story of artists Margaret and Walter Keane, locked in a battle of creation over “Big Eyes” child paintings. There is nothing revelatory or even interesting in the process of their struggle of who-painted-what, maybe perhaps Burton – a collector of the art – wants to increase their value?

Spike Jonze’s ‘Her’ is Masterful Commentary on Connection

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

How do we connect with other people? Why do we often push away those we need and stay with those we don’t? Why do we hold on to relationships long after they have stopped working? Is a physical relationship with no intellectual or emotional component somehow more valuable than one that can never be person-to-person but engages on a deeper level? And how do the ways we deal with love and loss impact the way we look at the rest of the world?

Great Performances Drive Entertaining ‘American Hustle’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?

‘Man of Steel’ is Strong, But Not Completely Heroic

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Place the Superman legend into the hands of director Zack Snyder (“Watchmen”) and storyteller/producer Christopher Nolan (“Dark Knight”), and old Supes is bound for a makeover in “Man of Steel.” When it works, it’s adds to a legend’s richness. When it doesn’t, it is less than hero.

‘Man of Steel’ Soars Visually But Lacks Humanity

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – From the CGI-heavy attack on Krypton that opens Zack Snyder’s “Man of Steel” to its soaring finale, I had the same reaction -– where’s the “Man half? Snyder’s attempt to reboot the Superman legacy with the loving assistance of David Goyer and Christopher Nolan of “The Dark Knight” fame gets the superhero part but misses the humanity at the core of this legendary character.

Visceral ‘On the Road’ Honors a Great American Novel

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The 1957 novel “On the Road” by Jack Kerouac, was a missile across the bow of American social conventions, and a precursor to the radical 1960s. For over fifty years, it has eluded a film adaptation, until director Walter Salles (“The Motorcycle Diaries”) found the way to capture it.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bobby Pin Girls

    CHICAGO – The “breeder years” are difficult on everyone, as the biological imperative becomes overwhelming and the couplings that result yield both discovery and misadventure. Nothing Without a Company’s new play “Bobby Pin Girls” highlight two such Millennial women, roommates who are having man trouble, although the argument can be made that it’s eternally “boy trouble.” The show has a Thursday-Sunday run at the Chicago Mosaic School through December 3rd, 2017. Click here for more details, including ticket information.

  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

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