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Diablo Cody

Charlize Theron in ‘Tully’ Turns Mom Into Martyr

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Tully” is a deeply weird motherhood fantasy snuck inside the friendly-but-distancing screenwriting constructs of another pseudo ironic story by Diablo Cody. Charlize Theron plays Margo, a mother of two kids with a third due any day, struggling with the sacrifices she’s made for motherhood.

Uninspired Musical Story Isn’t Worth Telling in the Inspired-By ‘Ricki and the Flash’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – When I screened “Inside Llewyn Davis” from the Coen Bros. before it was nominated for two Oscars and praised by critics everywhere, I beefed to myself: Who is this musician? Why does his story matter as compared to so many other real musicians who you never hear about but deserve that kind of spotlight?

Diablo Cody Loses Tone in Awful ‘Paradise’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Diablo Cody’s directorial debut, “Paradise,” now available everywhere On Demand and released this Friday in some markets theatrically, is an unmitigated disaster. It’s the most tonally inconsistent film of 2013, a flick that fluctuates wildly from broad satire to manipulative drama to something altogether indescribably bad.

Jason Reitman, Diablo Cody Sway Us to Like the Unlikable in ‘Young Adult’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Mavis Gary (Charlize Theron) isn’t a girl you’d Facebook like. She’s got one too many dark passengers, she’s a repugnant drunk, she likes too much pink, her white dog is too puffy and most would consider it less than Usher cool that she’s throwing herself at a married man she couldn’t bag back in high school. Or is she? And is Mavis so different than you?

‘Jennifer’s Body’ a Bloody, Out-of-Body Dud For Oscar-Winning ‘Juno’ Scribe Diablo Cody

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – For Oscar-winning “Juno” writer Diablo Cody, writing “Jennifer’s Body” with “Transformers” star Megan Fox and “Mamma Mia!” star Amanda Seyfried as the two lead women was as much of an out-of-body experience as Charlize Theron’s against-type role in 2003’s “Monster”.

Ellen Page’s ‘Smart People’ Only as Scholarly as Zealous Senior in High School

HollywoodChicago.com Oscarman rating: 2.5/5CHICAGO – I’m flummoxed. I know “Smart People” was supposed to be comedic drama with a splash of romance. Instead, I have been misled. It’s not a comedy. It’s not a tragedy. It’s not even a tragicomedy.

‘Juno’ the First LiveJournal, Blogger Film; Writer Diablo Cody a Standout Star

HollywoodChicago.com Oscarman rating: 4.5/5AUSTIN, Texas – No one says anything plainly in “Juno”. Hyper clever, hyper literate and hyper pop savvy, it tells a light story of teenage pregnancy in a package of verbose middle classiness.

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  • ThroatPunch

    CHICAGO – The provocative title of Nothing Without a Company’s new world premiere stage play, “ThroatPunch,” does not contain that particular fight technique. But it does have standout performances by the three person cast, as they make their way in Chicago, circa 1983, amid their emerging twentysomething punk rock attitude. The show has a Thursday-Sunday run at the Chicago Mosaic School through June 3rd, 2018. Click here for more details, including ticket information.

  • Jesus Christ Superstar, Lyric Opera

    CHICAGO – As a wee lad, I would often go into my parent’s record collection. One day, out of the blue, that brown double album with the gold embossed angels appeared, like a gift from the divine. “Jesus Christ Superstar” began as a record album “rock opera” in 1970, evolved to a Broadway show and film, and then was interpreted through a myriad of stage revivals over the years. The latest is an exciting piece of stagecraft at the Lyric Opera of Chicago. The show has a various evening/matinee run through May 20th, 2018. Click here for more details, including ticket information.

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