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Edward Norton

There is Little Beauty to Be Found in ‘Collateral Beauty’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Charles Dickens once said, “Reflect upon your present blessings — of which every man has many — not on your past misfortunes, of which all men have some.” Seeing the trailer for “Collateral Beauty,” it’s obvious this is the theme of the film, but it is also the theme of this review. My “blessing” to you is the foresight not to waste your time with this film.

‘Sausage Party’ is a Hard R-Rated Raunchy Good Time

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – First things first. Don’t let the fact this is animated fool you, “Sausage Party” is most decidedly, definitely, absolutely NOT FOR CHILDREN. This is a hard R-rated Seth Rogen raunch fest that may induce nightmares for more sensitive viewers and contains images of animated debauchery that can not be unseen. But it is inventively profane, with more on its mind than just animated f-bombs.

Michael Keaton Soars in Mesmerizing ‘Birdman’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There are parts of “Birdman” that are absolutely breathtaking, in dialogue, performance and visual acumen. Even its subtitle, “The Unexpected Virtue of Ignorance” has a wonderful payoff. Michael Keaton provides an Oscar worthy performance as the title character.

Author Remains Elusive in Documentary ‘Salinger’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Jerome David Salinger, J.D. to his readers, remains one of the most influential and controversial authors of the 20th Century. Known intuitively for the classic novel “Catcher in the Rye,” he also was known as a reclusive soul. His life and times make up the new documentary, “Salinger.”

Jeremy Renner Propels Clever ‘The Bourne Legacy’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tony Gilroy’s world of double crosses, super spies, and covert government programs returns in the writer/director’s clever expansion of the world he created as the writer of “The Bourne Identity,” “The Bourne Supremacy,” and “The Bourne Ultimatum.” The Oscar winner doesn’t just offer a traditional sequel, presenting a new leading man and a story that takes place in the same world of international espionage as its predecessors but feels more like a spin-off than a follow-up.

Wes Anderson’s ‘Moonrise Kingdom’ Delights with Clever Tale of Young Love

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Wes Anderson’s “Moonrise Kingdom” is a true delight — a fun, clever, and, of course, whimsical tale about the days when love seemed worth running away from home over and getting a scout badge meant the world. Easily Anderson’s best film since “The Royal Tenenbaums,” “Moonrise” is arguably the most tonally consistent film he’s made to date, a thoroughly enjoyable endeavor that one would have to be pretty cynical to dismiss entirely.

Ed Norton, Robert De Niro Misfire in Pretentious ‘Stone’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Ed Norton and Robert De Niro used to be two of the most consistent actors alive, both with streaks of amazing, Oscar-nominated films that guarantee them places in the history books. Sadly, their reunion in the overcooked “Stone” presents merely a shadow of what these talented stars used to deliver.

‘The Incredible Hulk’ Indeed Jacked Up on CGI Roids, But Medusa’s in His Face

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Technology has done double-edged service and disservice to the legendary Hulk superhero character from Stan Lee’s Marvel Comics.

In peering at the CGI-created ripped body of nothing remotely reminiscent of Edward Norton, the 2008 film iteration of “The Incredible Hulk” has a leg light years up on Lou Ferrigno’s character in the 1978 television series of the “The Incredible Hulk”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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