Harrison Ford

‘The Secret Life of Pets 2’ Feels More Like a Cat Nap Than Catnip

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – As a pet owner, I know firsthand that I want an exciting life for my guinea pigs. When I’m off at work, I’d like to think that they throw parties or have some sort of hangouts with other guinea pigs or pets in the area. The alternative being the sad realization that they are stuck in their cage while I’m away, probably bored out of their little minds. “The Secret Life of Pets” franchise continues to brings the fantasy to life, even if the sequel feels too tame.

Thin Story a Contrast to Visuals in ‘Blade Runner 2049’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It comes down to compelling an audience with a story riff that’s a hook. “Blade Runner 2049” doesn’t possess either the riff or the hook, but what it does do is create a dystopian world that is beautiful in its bleakness, and unsettlingly weird in its twists and turns.

‘Star Wars: Episode VII - The Force Awakens’ is the One We’ve Been Waiting For

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No Spoilers!) – I felt privileged on Tuesday morning. Not just to be a Chicago film critic, but to be a movie lover. Film critics and movie lovers alike wade through scores of yawners hoping for one or two masterpieces that remind us why we fell in love with the experience of watching a film in the company of people we like. Just in time to close out 2015, we’re met with the rare opportunity to take part in moviemaking magic once more.

Intoxicating ‘The Age of Adaline’ a Featherweight Fantasy

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “The Age of Adaline” is a beautifully shot featherweight fantasy that remains charming as long as you don’t think about it too hard, or at all.  At one point one character asks another why he loves Adaline, and he replies “because she makes no sense.” The same could be said for this movie.

As Title Implies, ‘The Expendables 3’ Totally Expendable

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The old man as macho action hero trend has finally calcified. If you haven’t seen either of the two previous “Expendables” pictures – this is definitely not the place to start. Sylvester Stallone’s creaky franchise hits rock bottom with this shoddy looking, poorly paced, indifferently acted and overlong exercise in excess on the cheap. It supposedly cost $90 million dollars to make, but what’s onscreen looks like it should have gone direct to video. Some explosions look like they were created with an iPhone.

‘Anchorman 2: The Legend Continues’ Defies Pattern of Comedy Sequels

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

Comedy sequels are SO rarely worthwhile. Most good comedy is dependent on being fresh, new, and unpredictable – words not commonly uses to describe sequels. For every “Wayne’s World 2,” there are a dozen films of the caliber of “Ghostbusters 2,” “Arthur 2,” and “Caddyshack II” – movies that are so bad that they almost diminish the legacy of their predecessors.

‘Ender’s Game’ Loses Personality in Journey From Book to Film

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Gavin Hood’s “Ender’s Game” may be the best example of a current problem with science fiction: From “Oblivion” to “After Earth” to most of “Star Trek Into Darkness” and now this adaptation of the Orson Scott Card book, modern science fiction has become so depressingly sterile as to drain the genre of most of its joy.

Lazy, Horrendous ‘Paranoia’ Wastes Talented Cast

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Much like 2011’s silly “Abduction” with Taylor Lautner, the title of “Paranoia” isn’t exactly accurate. Just as that previous film wasn’t really about an abduction, paranoia is only a minor aspect of Robert Luketic’s new thriller. It’s more about corporate intrigue, theft, intellectual property, and fear.

‘42’ Celebrates Jackie Robinson, the Promise of America

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It took baseball, that noble sport, to recognize in 1947 what the universe had dictated since day one – all persons are equal and all deserve an equal chance. Jackie Robinson was the first African-American to break the “color line” in baseball, and the story of that achievement is magnificently told in “42.”

Daniel Craig, Harrison Ford in Dull ‘Cowboys & Aliens’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Jon Favreau’s “Cowboys & Aliens” with Daniel Craig & Harrison Ford is a depressing snooze, a film with so many of the right elements but none of the personality to connect them into something memorable. With so many revisions from a number of writers, it feels like everyone added their own color to the piece until it all faded to gray.

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  • Grace, Or the Art of Climbing

    CHICAGO – What is life but a constant climb? The Brown Paper Box Co., one of the most vital storefront theater groups in Chicago, asks that question and more in the significant “Grace, Or the Art of Climbing.” Using a woman’s journey through some difficult situations, the parallels of “the climb” become a artfully performed story that is all inspiration and uplift. The play runs through July 7th, 2019, at Stage 773 in the Belmont Avenue Theater District in Chicago. For more information and tickets, click here.

  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

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