HollywoodChicago.com Content

Rating: 3.5/5.0

CHICAGO – Comedy is purely subjective, and the new film ‘Blockers’ sets out to prove it, by expectorating joke after joke in all categories of sophistication. Physical pratfalls, witty asides, gross-out, sex, nudity, drugs, surrealism and more are all on the humor buffet, so pick, choose and laugh, as they pile it on.

Rating: 4.0/5.0

CHICAGO - Terror and fear take several forms. Sometimes it’s something as simple as spiders or snakes or even an incompetent president. Other times it can take the form of natural states, like darkness. Horror films channel our fears, but the great ones give us something new to fear. “A Quiet Place” lures us in with the safety of silence, only to reveal the monsters hiding within.

Rating: 3.5/5.0

CHICAGO – Paris in the 1960s seems to be a place where anything was possible. “Final Portrait” is an indication of this, as Armie Hammer portrays a Mad Men style American critic (what!) in 1964, who sits for a portrait painting by eccentric artist Alberto Giacometti, portrayed with relish by Geoffrey Rush.

Rating: 3.5/5.0

CHICAGO – Just in time for Easter, there’s a film filled with enough Easter eggs to drown a small country. “Ready Player One” is a “Where’s Waldo” of mostly 80’s pop culture references that are meant to trigger our (and especially filmmaker Steven Spielberg’s) sentimental, nostalgic cores by bombarding us with reminders of our childhood. These trips down memory lane are fun until they’re not.

Rating: 4.0/5.0

CHICAGO – The British artist Andy Goldsworthy is a true “outsider” artist, because many of his works are rooted in the grown-and-death cycles of the great outdoors. He is described as a sculptor, photographer and environmentalist, but many of his art creations use materials available in any wooded area, based on a connection to nature combined with a creative soul. This is profiled in the second film about him from the same director, “Leaning Into the Wind - Andy Goldsworthy.”

Rating: 4.5/5.0

CHICAGO – Fans of director Wes Anderson will find plenty to love in his second stop motion animated feature (after “Fantastic Mr. Fox”), entitled “Isle Of Dogs.” It’s an immersive and intricately detailed story set in Japan, and features a dizzying array of visual gags, along with Anderson’s trademark whimsy.

Rating: 3.0/5.0

CHICAGO – The giant robot film genre is in trouble. It wasn’t enough that “Transformers” has ground it to dust, but now the “Pacific Rim” sequel is going the same direction. There is action-a-plenty in the followup to Guillermo Del Toro’s fun and light first film, that lightness is missing in “Pacific Rim Uprising.”

Rating: 4.5/5.0

CHICAGO – If you want a film to take your mind off the current American power structure, that at the same time provides some truth to the situation, you won’t do better than “The Death of Stalin.” A monster comedic cast – including Steve Buscemi and Jeffrey Tambor – is assembled for this hilarious farce.

Rating: 4.0/5.0

CHICAGO – Anyone who has ever held a big secret knows that the weight of it is usually worse than the secret itself. The only thing worse than that is when the secret you’re holding back is your true self. “Love, Simon” explores the all-too-familiar, high school coming of age story, but with the added complication of coming to terms with your sexuality and identity.

Rating: 4.0/5.0

CHICAGO – What would you expect from an event subject that has been already rendered four times on film, and deals with terrorism, hijacking and government negotiation? “7 Days in Entebbe” contained all of this, and yet still maintained a separate energy and cinematic artistry. In many ways, it’s one of the most surprising films of the young year.