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‘It Comes at Night’ is a Terror-Filled, Nightmarish Delight

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Good horror films are difficult to find. Last year, we got the extremely satisfying horror film, “The Witch,” with breakout star Charlie the goat, AKA Black Phillip. Horror films that aren’t franchised cliches are hard to come by, but “It Comes at Night” delivers. The entire atmosphere is mysterious and foreboding. We go into this film blind as if we were stumbling through a forest at night. That is where we find the terrors, and ourselves.

Discerning the Heroes is Tough in ‘Megan Leavey’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The poster is what gives away “Megan Leavey” the most. The titular soldier, and her bomb-sniffing dog, below a billowing American flag. So which war is it? Why, it’s the Iraq invasion, where the U.S. military and the politicians at home “freed” the Iraqi citizens from a peaceful life. Making a dog story out of that boondoggle doesn’t make it any more palatable, except to “support the troops.”

‘The Mummy’ is a Marvel of a Muddled Mess

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Universal Studio’s “Dark Universe,” which is centered around its stable of classic movie monsters, isn’t a bad idea. But in the darkly inauspicious debut feature called “The Mummy,” everything unravels. This is a mixed, muddled, marvel of a mess that contains an assembly of special effects, but precious little life.

The Human Being Behind the Greatness in ‘Churchill’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Winston Churchill, except to hardcore history buffs, is fast fading from the cultural radar. Often called the Greatest Briton Ever, the lion who led his people for so many years became a bit toothless during the greatest World War II battle ever conceived, D-Day the Sixth of June. That moment in his life, and the lives of those around him, is the subject of the magnificent new film, “Churchill.”

‘Captain Underpants’ Saves Us From the Summer Snooze

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I’m sure from the title you can glean the level of seriousness to expect, but how funny “Captain Underpants: The First Epic Movie” turns out to be is no laughing matter. The film’s surprising irreverence and respect for the comic book genre makes this the animated hero we’ve needed, and the second best superhero film out this weekend (SEE: Wonder Woman).

‘Wonder Woman’ Creates Power with Social Justice

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – There is a truth in the latest superhero epic, “Wonder Woman,” that is undeniable. The suppression of the power of woman in society, and denying the acceptance of all people – who just desire love – is the evil that can destroy the world. Gal Gadot as Wonder Woman saves the day.

Johnny Depp Stays Afloat in ‘Pirates of the Caribbean: Dead Men Tell No Tales’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The “Pirates Of The Caribbean” series has undergone a strange transformation over five films. The first film was better than any movie “based on a theme park ride” then it had any business being. But now in its fifth film voyage, “Dead Men Tell No Tales” bears a closer resemblance to the ride now more that ever.

Nostalgia Not Enough to Save ‘Baywatch’ From Drowning

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Going to the beach is simultaneously an exciting and disgusting experience. Swimming in the cool water that thousands have gone inside in the past, with more than a few leaving bodily fluid deposits, is the perfect way to describe “Baywatch”. No amount of beefy biceps or shirt-busting breasts could have given “Baywatch” the buoyancy needed to keep from sinking, let alone stay afloat.

‘Everything, Everything’ Offers Close to Nothing, Nothing

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’ll be the first to admit that I am not the target audience for these stock young adult romance novels. Aside from the odd fascination and romanticization of teenage death and terminal illness, these stories feel trite and much closer to fantasy than anything real or plausible. This is what the film “Everything, Everything” brings to the table, which essentially translates to Nothing, Nothing.

Diane Lane Hits the Blacktop in ‘Paris Can Wait’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The cache of “Paris Can Wait” is what immediately makes it attractive. It’s Diane Lane road tripping through France on the way to Paris, guided by the script and direction of Eleanor Coppola, in her narrative film debut (at age 80!). Along the way there is food, seduction, incredible sights and Alec Baldwin. That formula was destined to work.

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  • Remember Me, Rita Moreno

    CHICAGO – Academy Award winner (in 1962!) Rita Moreno is in the midst of a big media comeback. The 86 year-old actress, who famously portrayed Anita in that Oscar-winning role in “West Side Story,” is in her second season of the “One Day at a Time” reboot on Netflix, and is featured in the indie film “Remember Me,” available now for download and Video On Demand.

  • Bobby Pin Girls

    CHICAGO – The “breeder years” are difficult on everyone, as the biological imperative becomes overwhelming and the couplings that result yield both discovery and misadventure. Nothing Without a Company’s new play “Bobby Pin Girls” highlight two such Millennial women, roommates who are having man trouble, although the argument can be made that it’s eternally “boy trouble.” The show has a Thursday-Sunday run at the Chicago Mosaic School through December 10th, 2017. Click here for more details, including ticket information.

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