HollywoodChicago.com Content

Sandra Bullock & Heist Crew Con Us in ‘Ocean’s 8’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – In “Ocean’s 8,” a diamond necklace at the Met Gala isn’t the only thing getting ripped off. This all female knock off provides a reasonable facsimile of a facsimile of the original’s suave swagger, but doesn’t have anything else to go on. “Oceans 11” is a movie that never should have gotten a sequel, much less become some kind of a franchise.

A Fashionable Life in ‘The Gospel According to André’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – He’s not a household name, but his influence has affected the closets of those households. André Leon Talley (“ALT”) is a New York City fashionista of the highest order, despite a background that would never predict that fate. But a person in the right place at the right time with the right work ethic can product magical results, and “The Gospel According to André” conjures that journey for Talley.

Man & Machine Come Together For a Sci-Fi ‘Upgrade’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “We can rebuild him, we have the technology…” Those words from the 1970s series “The Six Million Dollar Man” seems more truth than science fiction these days, as breakthroughs in humans plus robotics get ever closer to rebuilding us. This is all explored in the fun and action-oriented film “Upgrade.”

Awkward Human Nature Explored in ‘On Chesil Beach’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If you hook up with people for that inevitable physical connection, you’ve experienced the odd emotional wrestling match of the “first time” – whether it’s the first “first time” or any other new partner first time. “On Chesil Beach” focuses on a young British couple in 1962, as they first time their virginal wedding night.

Story is Just a So-So for ‘Solo: A Star Wars Story’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Solo: A Star Wars Story” is one intergalactic space adventure that sadly never makes the jump to light speed. The end result Is not awful, it’s not great, it’s just kinda okay… it slavishly attends to the beats hinted at in the original trilogy without offering much in the way of surprises, or freshness.

Full Glory of Cinema Art Resides in 70mm ‘2001: A Space Odyssey’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – It is the 50th Anniversary of director Stanley Kubrick’s “2001: A Space Odyssey,” and the film has lost none of its power, freshness and thought process, in a journey of truth that ponders existence. The film has been recently restored in 70mm (overseen by director Christopher Nolan) and now is on a roadshow tour, including Chicago’s historic Music Box Theatre.

Formula Works Well in Hilarious ‘Deadpool 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We could all use some laughs, and “Deadpool 2” blessedly delivers. The meta superhero Deadpool – who exists both as a anti-hero and actor playing him – provides the wisecracks in the midst of the mayhem he experiences, and entertains in a way that other comic book movies wish they could be.

Melissa McCarthy is the Charming ‘Life of the Party’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Melissa McCarthy is a comedic force to be reckoned with, able to wring laughs improbably out of the stingiest of material. She always manages to find the funny, which helps elevate everyone around her, and so she slips easily in the durable friendly constructs of the campus comedy in “Life Of The Party.”

Strange Story of ‘Disobedience’ is Constant Distraction

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The director Sebastían Lelio is no stranger to oddball human stories. His 2017 film, “A Fantastic Woman” – the Oscar winner for Best Foreign Language Film – was a one-of-a-kind but amazingly poignant story of identity. His latest, “Disobedience,” mines the same human territory with lesser results.

Charlize Theron in ‘Tully’ Turns Mom Into Martyr

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Tully” is a deeply weird motherhood fantasy snuck inside the friendly-but-distancing screenwriting constructs of another pseudo ironic story by Diablo Cody. Charlize Theron plays Margo, a mother of two kids with a third due any day, struggling with the sacrifices she’s made for motherhood.

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