Ian McShane

‘John Wick 3 Parabellum’ is More Bang For Your Buck

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I must admit that upon initial viewing, I didn’t care much for the original “John Wick” film. Coming as it did in the post “Taken” wave of old guy revenge thrillers, I found it to be stylish but supremely silly nonsense, since it was the death of puppy as the spark that lit the fuse. However as time has gone by, John Wick has grown on me.

‘Hellboy’ Maintains Energy Just by Being Hellboy

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The latest film reboot is “Hellboy,” and it cruises based on the viability and popularity of its title character. David Harbour takes the reins from Ron Perlman in portraying the demon, and although it’s bogged down by the story, the latest iteration works because the character is so weirdly appealing.

‘John Wick: Chapter 2’ Adds Artistry to Mass Murder

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It takes a special kind of film that enthralls the audience so much that they stop caring about the body count and are more concerned with the main character running out of bullets. “John Wick: Chapter 2” offers the same cathartic effect as watching a Nazi get punched but in an infinitely more picturesque package.

Keanu Reeves in Ludicrous Premise as ‘John Wick’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Keanu Reeves has been in a lot of dogs over the years, but rarely has he left such a high body count while avenging one of them. “John Wick” is a brutal revenge thriller where Reeves is a ex-mob enforcer who goes on a murderous rampage leaving blood on every doorstep to avenge the death of his dog. Despite that chuckle-inducing premise, “John Wick” isn’t the dog I expected, but then again that’s not saying much.

‘A’ for Effort, ‘C’ for Execution in Dwayne Johnson’s Unmemorable ‘Hercules’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – I empathize with Dwayne Johnson and simultaneously don’t. Most people never get rich and famous once let alone twice. Sure, it’s hard to rebrand people from the wrestling superstar you once were into the dramatic action star you’re trying to become, but your past is forever immortal.

‘Jack the Giant Slayer’ Has Some Fee-Fi-Fo Fun

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The trend of taking ancient fairy tales – “Hanzel and Gretel” and “Snow White,” for example – and converting them into computer generated mega-pictures is peculiar, and glaringly profitable (no “rights” to buy). The latest, “Jack and the Giant Slayer,” has some fun up the beanstalk again.

‘Snow White and the Huntsman’ Dwarfed By Comatose Kristen Stewart, Melodramatic Charlize Theron

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – If you can stomach forgiving the film’s uneven acting, inconsistent pacing and a higgledy-piggledy script that feels like it’s still in draft mode, just zero in on the only newsworthy question about “Snow White and the Huntsman”: Who are those “dwarves”?

Johnny Depp in Entertaining ‘Pirates of the Caribbean: On Stranger Tides’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s easy to remember that the Pirates of the Caribbean movie series is on its fourth formulaic film, but harder to remember that it’s based on a freaking amusement park ride! Director Rob Marshall livens it up with “Pirates of the Caribbean: On Stranger Tides.”

‘Case 39’ With Renee Zellweger Should Have Remained Closed

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – A film where a little girl screams as her foster parents attempt to brutally murder her can be a tough sell to theater owners. Perhaps that’s why Paramount’s “Case 39” with Renee Zellweger and Bradley Cooper has been sitting on studio shelves for years since it closed production in 2006. How do you market a film that chooses to turn the world of foster parenting into a horror thriller? Why make it in the first place?

Henry Selick’s ‘Coraline’ an Early Contender For Best Animated Film of 2009

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGOHenry Selick, the visionary director of “The Nightmare Before Christmas” and “James and the Giant Peach” has masterfully directed a mesmerizing journey into the world of imagination called “Coraline”.

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