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Jenna Fischer

Strange ‘15:17 to Paris’ Can’t Make the Connection

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – What’s up with Clint Eastwood, and why in the Sam Hill did he attach himself as director to this film? Also, why was the decision made to use the actual rescuers as the actors in a true terrorist train incident? Nothing adds up in the strangely disconnected “15:17 to Paris.”

Ben Stiller in Character For Thoughtful ‘Brad’s Status’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Everyone comes to the point when they question their choices, their life and their truth. This concept is filtered through Ben Stiller in Brad’s Status, portraying a Dad taking his son for college visits, analyzing his life through the boy, his friends, plus his own angst and fears.

‘Are You Here’ Feels Like Mashup of Two Different Films

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – You would think that a film written and directed by Matthew Weiner – the creator of “Mad Men” – would be worthwhile company, especially when the cast includes Zach Galifianakis, Owen Wilson and Amy Poehler. It is disappointing to note that not only was this cliché-ridden mess unpalatable, but it also switched gears two-thirds of the way through to evoke a different mood, and that schizophrenia didn’t help the overall product.

Jenna Fischer Stars in Sweet ‘The Giant Mechanical Man’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Don’t let the awful title fool you — “The Giant Mechanical Man” is not sci-fi. This cute dramedy tackles well-trod ground in the world of indie film but Lee Kirk conveys enough honest affection for his well-crafted characters that the piece works.

Jenna Fischer Falls Victim to Weak Screenwriting in ‘A Little Help’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Despite the best efforts by Jenna Fischer (“The Office”) playing against type as a smoking, drinking newly-single mother, “A Little Help” is a mess. This dramedy consists of the kind of characters one only sees in a movie theater and usually only in an indie flick that thinks it’s much smarter and has much more to say about the human condition than it actually does.

Owen Wilson, Jason Sudeikis Skate By in ‘Hall Pass’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The Farrelly Brothers’ “Hall Pass” is a near-miss for the directors of “There’s Something About Mary” and “Dumb & Dumber” that features enough laughs to remember when the boys were in their prime but ultimately doesn’t come enough together to get them back to it. With Owen Wilson delivering a pretty lazy performance but “SNL” star Jason Sudeikis balancing it out with a nearly-great one, “Hall Pass” is a hit-and-miss affair that falls too often on the wrong side of that comedy corridor.

‘Walk Hard: The Dewey Cox Story’ Taps Best of Must-See TV Kings of Comedy

HollywoodChicago.com Oscarman rating: 4/5CHICAGO – The makers of “Scary Movie,” “Date Movie” and “Epic Movie” should be kicking themselves right now for never thinking to make “Musical Bio-Pic Movie”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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