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M. Night Shyamalan

M. Night Shyamalan Returns, Full of Personality in ‘Split’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – M. Night Shyamalan is a complicated filmmaker whose work seems to reflect a variety of different sides to the artist. “The Visit” marked a return to a new, yet familiar side of Shyamalan that most of us thought blew away with “The Last Airbender.” It seems “Split” marks the return/re-emergence of the too-long departed Shyamalan that we thought was buried in the past.

M. Night Shyamalan Offers Chills, Laughs in ‘The Visit’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Director and auteur M. Night Shyamalan has been very spotty in the last nine years. “The Sixth Sense” filmmaker has had less of an impact with “After Earth” and “The Last Airbender,” but scores again with the super weird, creepy and funny “The Visit.”

‘After Earth’ Proves M. Night Shyamalan’s Checkmate With Mismatched Smith Family

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Oscar accolades are a godsend, but so are they an affliction. They’re the ultimate vote of respect from your industry, but then you’ve got to keep being as genius as they thought you were. In M. Night Shyamalan’s case, it’s all gone downhill since his 1999 smash-hit “The Sixth Sense,” which was nominated for six of these portly golden statues.

Horrendous ‘After Earth’ Insults Entire Planet

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The “sci” in M. Night Shyamalan’s sci-fi blockbuster “After Earth” clearly stands for Scientology and not science. There’s nothing remotely approaching honest science in this boring, preachy, horrendously made film that occasionally looks good but has nothing more worthwhile to say than a pamphlet trying to get you to convert to a cult. “Danger is real. Fear is a choice.

Awful Execution Fails Clever Concept of ‘Devil’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Being a hardcore fan of anthology series like “The Twilight Zone” and “Tales From the Crypt,” the simple set-up of “Devil,” the new horror film based on a story by and produced by M. Night Shyamalan, intrigued me — five people are stuck in an elevator and one turns out to be the devil. Sadly, the concept is the only interesting thing about this horribly-executed tale from the dull side of the genre.

Director M. Night Shyamalan Too Talky, Murky in ‘The Last Airbender’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The choices that M. Night Shyamalan makes in the progress of his filmography have become as perplexing as his early mysteries. “The Last Airbender,” featuring Dev Patel from “Slumdog Millionaire,” is an adaptation of a previous animated series, and although aimed at kids in the end seems tentative and…aimless.

M. Night Shyamalan’s ‘The Happening’ a Creepy, Paranoid Ride Through Today’s Environment

HollywoodChicago.com Oscarman rating: 3.5/5
Rating: 3.5/5.0

CHICAGO – Trying to understand the thought process of writer and director M. Night Shyamalan is akin to analyzing Jell-O. What keeps it wiggling and what binds it together?

“The Happening,” which is his latest creepy film, is a modern cautionary tale ripped from the collective sensibilities of life after Sept. 11, 2001 and the status of human beings in their interaction with today’s environment.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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