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Michael Caine

Misguided Remake of ‘Going in Style’ is Just a Product

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – In 1979, there was a beautifully understated film called “Going in Style,” taking on the issues of aging, loneliness and the forgotten senior citizens in society. Those issues have not altered in our modern society, but you wouldn’t be able to tell that with the 2017 remake of “Going in Style.”

Waste of Talent, Sequel Energy in ‘Now You See Me 2’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Separately, you love all these movie star icons and funny people – Daniel Radcliffe, Michael Caine, Mark Ruffalo, Jesse Eisenberg, Woody Harrelson, Morgan Freeman, Lizzy Caplan and Dave Franco. Together, they add up to a terrible sequel, “Now You See Me 2.”

Elegant, Delicate Emotions Are Forged in ‘Youth’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – When a film tries to be philosophical, it easily can devolve into heavy handedness. But the exception is the latest from writer/director Paolo Sorrentino, the richly presented “Youth.” It treads upon many definitions of the title, and lands upon all of them, because that’s life.

‘The Last Witch Hunter’ at Least is Hilariously Awful

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – You will see many many better movies this year, but you’re unlikely to see one quite this batshit crazy. I’ll give Vin Diesel this much credit, at least he’s created a memorably awful blockbuster instead of one that simply fades off into the moonlight.

‘Kingsman: The Secret Service’ is Fun, Very Odd

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Part James Bond, part absurdist adventure, “Kingsman: The Secret Service” is nonetheless a romp, with Colin Firth handling the Brit spy role with a natural aplomb. If the notion of a super secret rogue spy agency under a London tailor shop is something that sounds intriguing, that doesn’t even begin to tell the tale.

Christopher Nolan’s Riveting Story Shines Brightest in Imperfectly Cast ‘Interstellar’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It was Monday, Nov. 3, 2014 at 10:15 p.m. Leaving Navy Pier IMAX, I was driving north on Lake Shore Drive – a constantly busy, multi-lane highway that hugs the east of Chicago and separates it from water. What I saw next with fellow staff critic Patrick McDonald might have been normal for 3 a.m., but discussing Christopher Nolan’s new sci-fi “Interstellar” and being the only one on the road in either direction felt otherworldly.

‘Interstellar’ is Supposed to Mean Something, But What?

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is most likely that movie goers were asking the same question of Stanley Kubrick’s “2001: A Space Odyssey” in 1968, but Christopher Nolan’s “Interstellar” belongs to its own category of what-is-the-meaning, because it tries to combine pseudo-science with psycho-babble, which clashes into meaninglessness. But the visuals are stunning, and there are moments of fulfillment, especially in a big screen IMAX format.

Miscast Crew Spoils Christopher Nolan’s Epic ‘Interstellar’ 

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Interstellar” is easily director Christopher Nolan’s worst film. It contains much of the ambition and striking visuals that have endeared him to audiences, but for large chunks of the movie his own worst tendencies towards bombast, self-importance, and hippy dippy dialogue threaten to overwhelm his dandy space sequences entirely.

Story of ‘Now You See Me’ a Bit Misdirected

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Boasting a big star ensemble cast, and themes of magical realism and misdirection, “Now You See Me” is an overdone, too-clever-for-its-own-good fantasy with some entertaining tricks. Jesse Eisenberg and Isla Fisher join veterans Woody Harrelson and Morgan Freeman in the magic mix.

Adam Fendelman: ‘The Dark Knight Rises’ Realizes Nolan’s Trifecta: One of History’s Greatest Trilogies

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO (No-Spoiler Promise!) – In a Hollywood test tube, pour one part Michael Bay and his pure “Transformers” eye candy plus another part Quentin Tarantino with his rich writing and masterful characters. The resulting mutation is Christopher Nolan and his near-perfect Batman conclusion – “The Dark Knight Rises” – to one of the greatest trilogies of all time.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Positively Present: An Uplifting Cabaret

    CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

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