Natalie Portman

Rating: 4.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on November 30th, 2023, reviewing “May December,” featuring Julianne Moore and Natalie Portman, directed by Todd Haynes. Streaming on Netflix beginning December 1st, 2023.

Rating: 3.5/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on July 7th, reviewing “Thor: Love and Thunder,” the continuing Marvel Universe adventures of the God of Thunder, opening everywhere on July 8th.

Rating: 4.0/5.0

CHICAGO – In the frozen emotional landscape of America, where mass shootings have become as regular as the sunrise, what better symbol for this madness is there than a pop star? Natalie Portman is that singer in “Vox Lux,” a victim and a perpetrator in the sin of mass death, and the soundtrack of gunfire.

Rating: 3.5/5.0

CHICAGO – Alex Garland, the standout creator/director of “Ex Machina,” is back with “Annihilation,” another science fiction story. And like the previous film, it explores implications of a sci-fi event, in this case an outer space incident that restructures a cellular code, that ends up destructive.

Rating: 5.0/5.0

CHICAGO – Capturing one of the most familiar woman of the last fifty years would seem impossible, except when focusing on one of the defining moments of her life. “Jackie” reveals Jacqueline Kennedy during the time of her husband John’s assassination, and when the nation lost a president.

Rating: 3.5/5.0

CHICAGO – I’ve been quoting Martin Scorsese over the years, that he said “movies are a psychotic’s feverish dream on display.” In searching for those words, I found he never said it. He did say they are “dreams with eyes open.” So let us combine the two quotes in analyzing Terence Malick’s “Knight of Cups.”

Rating: 2.5/5.0

CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.

Rating: 2.0/5.0

CHICAGO – Few major films have felt less creatively inspired and more commercially conceived than Alan Taylor’s dull “Thor: The Dark World,” a wannabe blockbuster with all the personality and ingenuity of a straight-to-DVD sequel. It is a film that simply fades into the background of other films, both already produced and still-to-come.

Rating: 3.0/5.0

CHICAGO – Jar Jar Binks is back, and George Lucas has him in 3D. Yes, the re-release of 1999’s “Star Wars: Episode 1 – The Phantom Menace,” takes advantage of the new 3D technology. However, it can’t change the story or the now 13-year outrage regarding this weird take on the Stars Wars legacy. Were we ever that young and that angry?

Rating: 1.0/5.0

CHICAGO – “Hesher” ends with a middle finger and I shot one right back to the screen. Rarely has a film so completely misunderstood the grieving process and played faux tough in an attempt to be edgy instead of heartfelt. Like a knock-off of Chuck Palahniuk produced by people raised only on Sundance films, “Hesher” is a mess.