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Patrick McDonald

‘The Meg’ is a Proud $150 Million Dollar ‘B’ Movie

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – From their golden age from the 1950s to the 1970s, the infamous “B” movies – usually the third feature at the drive-in, or playing in the crumbling old theaters – were targeted to teens. In the modern era, these films are now given $150 million dollar budgets and wide releases. Case in point, the shark movie called “The Meg.”

‘BlackKkKlansman’ is a Spike Lee Joint That Burns

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Director Spike Lee has hit the motherlode in good timing of the kind that says “Everything Old is New Again.” His overview in the true story of a black man that went undercover within the Klu Klux Klan in the 1970s nicely mirrors our current president’s divisiveness in the incendiary “BlacKkKlansman.”

‘Generation Wealth’ Tells Us What We Already Know

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – When it comes to really being rich, what do we already know? Money doesn’t buy happiness. Family and friendship connections are more important than accumulation. Yet those simple lessons keep being broken up by the excess of more, the values of which are in the documentary “Generation Wealth.”

‘Christopher Robin’ is a Story That Should Have Remained Untold

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Yeesh. Who woulda thunk that the fine people at Walt Disney Studios would throw the “legend” of Winnie-the-Pooh into a live action “sequel,” with absolutely no life… including the computer generated dead-eyed stuffed machinations of the famous animals. Yet, here we are with “Christopher Robin,” featuring Ewan McGregor in the title role.

‘The Spy Who Dumped Me’ Didn’t Need the Spy Part

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s been a long time since I’ve seen a film completely stolen by a supporting character, but Kate McKinnon in “The Spy Who Dumped Me” managed to do just that… which was fortunate because the “spy” part of the story is a seen-it-before kill and gun fest that felt like the first draft of a James Bond knock-off.

Fun and Uproarious ‘Teen Titans Go! To the Movies’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – If a good laugh is golden, then “Teen Titans Go! To the Movies” is worth its weight. Although the meta-make-fun of superhero movies have already been done almost to death (Deadpool?), the Titans have been doing it on the Cartoon Network since 2013, and take it to a new level in their movie adventure.

The Artist’s Obsession in ‘Gauguin: Voyage to Tahiti’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The art masters, and the masterpieces they have created, become a background culture in our lives… even if we don’t necessarily know the artist. Paul Gauguin is one of those painters-as-cultural-influencer, and a vital point in his artistic life is told in the film “Gauguin: Voyage to Tahiti.”

Awkward & Difficult is Played Out in ‘Eighth Grade’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – We’ve all been there. Depending on what school structure you lived through, everyone had issues in “Eighth Grade.” Writer/director Bo Burnham puts those universal issues in a modern context (social media, online video), and portrays them through a girl struggling to belong while navigating the choppy waters of adolescence. It’s difficult, awkward and representative.

Director Eugene Jarecki Crowns Elvis Presley ‘The King’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Elvis Presley, besides being one of the most famous entertainers of the 20th Century, does symbolize to an extent what can happen to icons when they turn towards certain directions in a career. Director Eugene Jarecki has created an amazing documentary about Elvis called “The King,” that uses his rise and decline as a symbol for the American Dream.

The Tumbling Delicacy of Life in ‘Blindspotting’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – How can we understand the day-to-day factors of men and women who continued to be judged by their skin color, economic circumstances, difficult jobs or gender fluidity, if we are not any of those categories? Our art can help us, as given a great example in the new film “Blindspotting.”

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