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Patrick McDonald

Vigilante Overkill Defines Ultra-Violent ‘Death Wish’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Man, talk about bad timing. With the Stoneman Douglas shootings still making news, America will now entertain itself with a vigilante doctor shooting anything he sees? Yeesh. Bruce Willis is game in the watchable-but-ultra-violent “Death Wish.”

Consider the Meaning of Life Force in ‘Annihilation’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Alex Garland, the standout creator/director of “Ex Machina,” is back with “Annihilation,” another science fiction story. And like the previous film, it explores implications of a sci-fi event, in this case an outer space incident that restructures a cellular code, that ends up destructive.

‘Early Man’ is Unabashedly Freaking Hilarious

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Humor flows from one individual, and reaches another. Whether the receiver laughs or not is subjective, based on experiences and worldview. It can be agreed, however, that animator Nick Park (“Wallace & Gromit”) is hilarious, and he’ll make the world laugh in “Early Man.”

All Forms of Heroism Available in ‘Black Panther’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – The fortune of the latest Marvel Studios superhero epic, “Black Panther,” lies in its solid foundation in African mythos and intelligent storytelling. And with Ryan Coogler (“Creed”) as director, there are still major confrontations and battles, intertwined into the soul.

Diversity & High Quality in 2018 Oscar-Nominated Live Action Short Films

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – From deafness to religious conflict to one of the most vicious events in American history, the Oscar nominated Live Action short films fulfill the drama, emotions and even laughs in a compact form. The 2018 Live Action Shorts nominees are being shown in one program, locally at the Landmark Century Centre Cinema in Chicago. Click here for more information. The Animations Shorts are also being shown.

Strange ‘15:17 to Paris’ Can’t Make the Connection

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – What’s up with Clint Eastwood, and why in the Sam Hill did he attach himself as director to this film? Also, why was the decision made to use the actual rescuers as the actors in a true terrorist train incident? Nothing adds up in the strangely disconnected “15:17 to Paris.”

Zen and the Art of Cinema in ‘24 Frames’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The legendary Iranian filmmaker Abbas Kiarostami (“Certified Copy”) passed away in 2016, but he left one more meditation on cinema and illusion, in the artistic “24 Frames.” Yes, it refers to the number of still photos that make up a second of film, but in this case it is also Kiarostami’s observations of stillness in motion.

Humankind Gets a Necessary Lesson in ‘The Insult’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The clash of ideologies or religion that result in war is one of the most emotional of reasons to fight (and convenient for those who manipulate such emotions). “The Insult,” a contender for Best Foreign Language Film at the Oscars, shows how feelings can escalate to bitter conflict.

‘Maze Runner: The Death Cure’ Has Run Out of Life

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

Inflammatory ‘In the Fade’ is the State of Our Now

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – In one of the more truthful and contemporary films of 2017, “In the Fade” is a German/French production about the fallout due to a terrorist act. What it also emphasizes is the generated hatred, frustration and waste of such acts, and its textual story is stunning and distressing.

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