Paul Rudd

Journey to Conclusion is the Thrill of ‘Avengers: Endgame’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – When it comes down to this, and the creators do it right, there is no more satisfying conclusion than “Avengers: Endgame.” Admirers of this magnificent Marvel (Studios) Universe story will get everything they want. It is the “Gone with the Wind” of superhero epic films.

‘Ant-Man and The Wasp’ is Abuzz with Laughs & Shrinkage

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Gag writers, it’s time to head to Marvel Studios. Apparently the direction their superhero franchises are going for is laughs. “Ant-Man and the Wasp” is a prime example… the second film in the “Ant-Man” series amps up the humor, priming a hero that can go super small or massive. Go ask Alice, I think she’ll know.

‘Sausage Party’ is a Hard R-Rated Raunchy Good Time

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – First things first. Don’t let the fact this is animated fool you, “Sausage Party” is most decidedly, definitely, absolutely NOT FOR CHILDREN. This is a hard R-rated Seth Rogen raunch fest that may induce nightmares for more sensitive viewers and contains images of animated debauchery that can not be unseen. But it is inventively profane, with more on its mind than just animated f-bombs.

Marvel Studios Reaches New Heights in Satisfying ‘Captain America: Civil War’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – “Captain America: Civil War” is more of an “Avengers” movie than it is a Captain America movie. But that’s okay because this is easily the best Avengers movie Marvel Studios has ever made, and it also might be the best movie the studio has ever made.

A Perfect Paul Rudd, Michael Peña Bring Often-Overlooked Humor to ‘Ant-Man’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In 1989, Rick Moranis played a scientist father in “Honey, I Shrunk the Kids” who accidentally shrinks kids to the size of insects. But dating back to a first appearance in 1962, Marvel Comics first published the Ant-Man character. His persona was the superhero alias of the scientist Hank Pym after inventing a substance that allowed him to shrink himself.

‘They Came Together’ Sharply Skewers the Rom-Com

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – If there is any genre of film that needs a good blasting, it is the romantic comedy. These silly fantasies practically seem like satires anyway, so when the comic genius of writer/director David Wain ponders them, and casts Paul Rudd and Amy Poehler as the “couple,” the funny will fly.

‘Anchorman 2: The Legend Continues’ Defies Pattern of Comedy Sequels

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

Comedy sequels are SO rarely worthwhile. Most good comedy is dependent on being fresh, new, and unpredictable – words not commonly uses to describe sequels. For every “Wayne’s World 2,” there are a dozen films of the caliber of “Ghostbusters 2,” “Arthur 2,” and “Caddyshack II” – movies that are so bad that they almost diminish the legacy of their predecessors.

Deep Two Character Drama Flavors ‘Prince Avalanche’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Take actors Paul Rudd and Emile Hirsch, make them highway line painters, put them in a fire-ravaged woodland and the makings for a savory two character portrait is realized in “Prince Avalanche.” David Gordon Green adapted and directed this appealingly offbeat art film.

Tina Fey Difficult to Get Into in ‘Admission’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Tina Fey, love her. Paul Rudd, like his work, he’s a Judd Apatow guy. Wallace Shawn in “The Princess Bride,” exquisite. Lily Tomlin is a comedy legend. All these great and interesting performers participated in “Admission,” for which they all get an “F.”

Judd Apatow’s ‘This is 40’ Clutters Truth with Cliché

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Judd Apatow’s “This is 40” is a true disappointment, a comedy that purports to say something honest and insightful about approaching middle age in the ‘10s but blurs truth by smothering it in contrivance and cliché. Strong work from Leslie Mann and Albert Brooks rescue the project from complete disaster but the largely-unfunny and almost entirely disingenuous script mark this as the talented Apatow’s most notable misfire.

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  • Grace, Or the Art of Climbing

    CHICAGO – What is life but a constant climb? The Brown Paper Box Co., one of the most vital storefront theater groups in Chicago, asks that question and more in the significant “Grace, Or the Art of Climbing.” Using a woman’s journey through some difficult situations, the parallels of “the climb” become a artfully performed story that is all inspiration and uplift. The play runs through July 7th, 2019, at Stage 773 in the Belmont Avenue Theater District in Chicago. For more information and tickets, click here.

  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

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