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Paul Thomas Anderson

‘Phantom Thread’ is Both Beautiful and Muddled

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There is a certain beauty in human creation, and the fashion industry allows that we can be individual in the sense of our clothing choices. The perfection that those creators attend to is nicely defined in “Phantom Thread,” but as an exploration of their personal life, it is frustrating.

Beyond Being Trippy, ‘Inherent Vice’ is a Difficult Trip

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Interpreting the ambling and sonic prose of author Thomas Pynchon has eluded filmmakers until now. Director Paul Thomas Anderson takes a whack at “Inherent Vice,” and although much of the film has his usual eminent vision, as a whole it makes for difficult sledding.

Stunning Ambition Drives P.T. Anderson’s ‘The Master’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.

Julianne Moore Pushes Freudian Implications to Limit in True Story of ‘Savage Grace’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge.

From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.

Set in Tel Aviv, New Israeli Film ‘Jellyfish’ Shines With Virtue, Veracity

HollywoodChicago.com Oscarman rating: 4.5/5CHICAGO – It has been a banner year so far for the Israeli film industry. Following the American debuts of “The Band’s Visit” and “Beaufort,” we now have the stunningly composed and heart-rending “Jellyfish”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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