Rachel Weisz

A Hilarious Combination of Crass and Class in ‘The Favourite’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Looking through auteur Yorgos Lanthimos’ filmography, you’ll recognize a style that combines both visual beauty and narrative absurdism. The Lanthimos effect, or Lanthimo-nium as I like to call it, elevates any piece of work to such a high degree that often times the meanings go over our heads. In his most mainstream effort to date, “The Favourite” will likely become your favorite of his works.

Strange Story of ‘Disobedience’ is Constant Distraction

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The director Sebastían Lelio is no stranger to oddball human stories. His 2017 film, “A Fantastic Woman” – the Oscar winner for Best Foreign Language Film – was a one-of-a-kind but amazingly poignant story of identity. His latest, “Disobedience,” mines the same human territory with lesser results.

Strong Cast Turns on ‘The Light Between Oceans’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – In the early 1970s, “Love Story” was all the rage, with its catchphrase “Love means never having to say you’re sorry.” Just as sudsy, and with its own catchphrase, is “The Light Between the Oceans.” The film, set in the early 20th Century, salvages a by-the-numbers tale with fine performances.

Elegant, Delicate Emotions Are Forged in ‘Youth’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – When a film tries to be philosophical, it easily can devolve into heavy handedness. But the exception is the latest from writer/director Paolo Sorrentino, the richly presented “Youth.” It treads upon many definitions of the title, and lands upon all of them, because that’s life.

Story Dims Visionary ‘Oz the Great and Powerful’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Oz the Great and Powerful” is a great and powerful visual and 3D experience. It expands the landscape of what cinema can produce in a visceral and evolutionary way. But a great film also needs a great story, and this Land of Oz tale is not equivalent to the awe-inspiring imagery.

Jeremy Renner Propels Clever ‘The Bourne Legacy’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tony Gilroy’s world of double crosses, super spies, and covert government programs returns in the writer/director’s clever expansion of the world he created as the writer of “The Bourne Identity,” “The Bourne Supremacy,” and “The Bourne Ultimatum.” The Oscar winner doesn’t just offer a traditional sequel, presenting a new leading man and a story that takes place in the same world of international espionage as its predecessors but feels more like a spin-off than a follow-up.

Rachel Weisz, Tom Hiddleston Bare Their Souls in ‘The Deep Blue Sea’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Terence Davies’ “The Deep Blue Sea” has been earning raves around the world for its dramatic portrayal of doomed love. Personally, I found the film more inert than engaging but the two lead performances are so consistently powerful that the talent of their performers ultimately drew me into this depressing whirlpool. It’s not the film it could have been but the sheer skill of the great Rachel Weisz and the great Tom Hiddleston make it a film worth seeing.

Not Much to Build Upon in Vague ‘Dream House’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Mixing three actors with great reputations – Daniel Craig, Rachel Weisz and Naomi Watts – with Jim Sheridan, a six time Oscar nominated director, would assume to yield some fruitful results. But with “Dream House,” the artifice is indistinct and ill-defined, ultimately much ado about nothing.

Rachel Weisz Anchors Melodrama of ‘The Whistleblower’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Rachel Weisz elevates the harrowing true story of “The Whistleblower,” a pull-no-punches drama about a disturbing international conspiracy to cover up a sex trafficking ring involving the men tasked with protecting the innocent who turned to exploiting them. This is a graphic, dark, violent piece of drama, as it should be given its subject matter, but it’s the work of one of our best working actresses that truly makes it worth venturing into the darkness.

Blueberries Meet Luscious Taste Buds in ‘My Blueberry Nights’ With Jude Law, Rachel Weisz

HollywoodChicago.com Oscarman rating: 3.5/5CHICAGO – We see sensual close-up shots of blueberry pie overflow with aqueducts of vanilla ice cream in Wong Kar-Wai’s opening sequence of “My Blueberry Nights”. This dreamy scene sets the tone of the latest film from the famous Chinese director as he confronts the West with his unique cinematic style.

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  • It's NOT ALL About You John Michael

    CHICAGO – John Michael epitomizes the art of the monologue. The Chicago transplant, by way of Dallas, is moving on (he says temporarily) from the city that inspired his last show, “Meatball Seance,” after notorious and successful runs of his other one-man shows, “John Michael and the Order of the Penix” and “Dementia Me.” His farewell performance is his latest, another laugh riot, “It’s NOT ALL About You John Michael,” and will take place at Mary’s Attic in Chicago’s Andersonville neighborhood on March 1st, 2019. Click here for details, including ticket information.

  • Soccer Player in the Closet, The 2

    CHICAGO – Connecting to the theater collective Nothing Without a Company means a couple of things. One, you may visit parts of Chicago you’ve never seen before – in this case a plant store in an industrial area south of Humboldt Park – and two, you will see some daring and outside-the-box stagings. “The Soccer Player in the Closet” is their latest production – a World Premiere – and it provides what the title implies and beyond. The play runs through March 17th, 2019. Click here for more details, including ticket information.

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