Richard Jenkins

Rating: 3.5/5.0

CHICAGO – Josh Radnor may be one of the most good natured humanists in modern American film. His perspective contrasts sharply with that of comedic auteurs intent on depicting a cynical view of the modern world clouded with nostalgia. Radnor may not yet be up to par with the filmmakers that have inspired him, namely Woody Allen, but his sophomore directorial effort, “Liberal Arts,” is practically bursting with promise.

Rating: 3.5/5.0

CHICAGO – “If you want a friend in Washington,” Harry S Truman once said, “get a dog.” The same can be said for the film industry, as they keep producing canine quandaries. Diane Keaton, Kevin Kline, Sam Shepard and Elisabeth Moss cozy up to their own ‘Darling Companion.’

Rating: 4.5/5.0

CHICAGO – Drew Goddard’s “The Cabin in the Woods” is a brilliant dissection of not just the clichés of the horror film genre but how they have played a role in the darkest corners of our society for centuries. It’s also a damn blast, as fun a time as you’ll have in a movie theater this season (and probably next). It’s one of those rare films that’s just pulsing with energy on so many levels — as genre-loving comedy, as straight-up horror, and as something you’ve simply never seen before. “The Cabin in the Woods” is a great film.

Rating: 4.0/5.0

CHICAGO – His eyes are at once weary and sardonic, brooding and vulnerable. He doesn’t know how to cry for help, apart from crying wolf. He resists the spotlight when it’s placed upon him and yet still craves attention from his peers. He’s deeply cynical about life in general, yet is prone to falling for the sweetness of a pure-hearted soul. And he’d probably be well adjusted if it weren’t for the enormous weight on his shoulders.

Rating: 3.0/5.0

CHICAGO – It seems that carnal canoodling without strings attached seems all the rage in romantic comedies these days. The twentysomething set, having seen their share of divorces and break-ups, prefer the Justin Timberlake and Mila Kunis method in “Friends with Benefits.”

Rating: 2.5/5.0

CHICAGO – The Farrelly Brothers’ “Hall Pass” is a near-miss for the directors of “There’s Something About Mary” and “Dumb & Dumber” that features enough laughs to remember when the boys were in their prime but ultimately doesn’t come enough together to get them back to it. With Owen Wilson delivering a pretty lazy performance but “SNL” star Jason Sudeikis balancing it out with a nearly-great one, “Hall Pass” is a hit-and-miss affair that falls too often on the wrong side of that comedy corridor.

Rating: 5.0/5.0

CHICAGO – Believing all remakes are pointless is as narrow-minded as suggesting that they’re all worthwhile. It’s not an all-or-nothing proposition. Like a fantastic cover version of an amazing song, there can be room for more than one cinematic interpretation of the same story.

Rating: 3.5/5.0

CHICAGO – Despite its flaws, the often-beautiful “Eat Pray Love,” starring Julia Roberts, works because it refuses to talk down to its audience. This is the rare “chick flick” that treats its demographic with respect, never becoming the sentimental or manipulative dreck that so many other filmmakers would have delivered from Elizabeth Gilbert’s bestselling memoirs.

Rating: 3.0/5.0

CHICAGO – Love stories are as common at the movies as popcorn and sticky floors. Despite this, rising stars Channing Tatum and Amanda Seyfried add their own spin to the timeworn plot theme in “Dear John.”

CHICAGO – “The Visitor” is a subtle film. Created by the unique talent of writer and director Thomas McCarthy – who also generated the equally subtle world of “The Station Agent” – this new work explores the nature of who belongs where.