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Ryan Reynolds

Formula Works Well in Hilarious ‘Deadpool 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We could all use some laughs, and “Deadpool 2” blessedly delivers. The meta superhero Deadpool – who exists both as a anti-hero and actor playing him – provides the wisecracks in the midst of the mayhem he experiences, and entertains in a way that other comic book movies wish they could be.

Un-Buddy-Like Violence in ‘The Hitman’s Bodyguard’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – One day I would like to meet a professional assassin. Are they as quippy and biblical as Samuel L. Jackson? This tired movie occupation is trotted out again, this time pairing Jackson with Ryan Reynolds, in an overwrought and ultra-violent buddy comedy, “The Hitman’s Bodyguard.”

Suspenseful ‘Life’ is Tense, Compelling Science Fiction

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Combining the invasion elements of “Alien” with the life-raft-in-space morbidity of “Gravity,” the new film “Life” maintains a grip from the enlightened beginning to the twisted end. Mars is the origin, so the film joins “The Martian” and “The Space Between Us” in sourcing the red planet.

Anti-Heroism of ‘Deadpool’ Revels in Sass & Violence

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It was inevitable that we would get an “R-rated” superhero movie, and “Deadpool” fits the bill with its swears, violence and a little sex/nudity. It also has Ryan Reynolds as that hero, doing his “Van Wilder” smarmy act to the nth degree. How that all works will determine how you like the film.

Trite ‘Woman in Gold’ Lacks a Compelling Story

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – The horrors of the Holocaust have been expressed in cinematic art through many angles. “Woman in Gold” takes another track, that of restoring a work of art that was stolen from a Jewish family in Austria. The legal maneuverings, however, lacks a sense that this is victorious.

Uninspired ‘R.I.P.D.’ is a Reminder of Better Movies

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Did everyone see “Men in Black”? Or the film’s two sequels? They you saw “R.I.P.D.,” which unfortunately for the production team has “rip” in the title, because the film is a lazy rewrite and rip-off of “MiB.” Jeff Bridges and Ryan Reynolds are the protectors assigned in this one.

Light, Speedy ‘Turbo’ is a Great Race for Kids

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Summer vacation means summer animated movies, and nothing will give the kids more of a break than rooting for a snail that becomes as fast as an Indy race car. Why not put him in the Indianapolis 500? Ryan Reynolds is the voice of that miracle mollusk named “Turbo.”

‘The Croods’ Rip a Funny Page Out of Pre-History

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Good cartoons know that we’re in on the joke, that all the surreal actions will satisfy our basic funny bone. Great cartoons give us a little bit more, an empathy or a story that really goes beyond expectations. “The Croods” is a great cartoon, and a wonderful achievement in animation evolution.

Stephen Dorff Gets Trapped in Deeply Flawed ‘Brake’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – With obvious comparisons to “24” and “Buried,” Gabe Torres’ “Brake” comes with a bit of referential baggage in its trunk. Also in there is Secret Service Agent Jeremy Reins (Stephen Dorff), a man trapped in a nightmarish kidnapping situation in the trunk of a car. He wakes up there and it’s where the vast majority of “Brake” takes place as he’s tortured physically and mentally by a group of terrorists trying to find the Executive Branch’s secret bunker.

Denzel Washington Lives in Boring ‘Safe House’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Safe House” is so overly familiar that you not only will think that you’ve seen it before and know exactly where it’s going before it gets there, but you will also barely remember having seen it once it’s over. It’s cinematic fast food – relatively streamlined but also not difficult to make for anyone involved, generally bad for you, and totally forgettable. It’s all so, well, “Safe.”

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