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Sigourney Weaver

Fantasy & Feelings Comingle in ‘A Monster Calls’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The nature of dying, especially in process with a close loved one, is a testing ground for unwieldy and alien emotions. When, why and how we’re challenged does not have a timetable, nor a convenience. All of this is played out as fantasy in the vital “A Monster Calls.”

‘Finding Dory’ Essentially Finds Its Sweet Spot

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Pixar’s sequel to its underwater animated tearjerker “Finding Nemo” isn’t quite in the same league, but “Finding Dory” is satisfying all the same. This time the story focuses on Marlin and Nemo’s forgetful friend Dory, as she searches for the family she can’t quite remember.

Consciousness Morality for Robots in Odd ‘Chappie’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Who would think a robot movie would teach us about being more intuitively “human”? “Chappie” is a very peculiar film – with fighting robots, violence and grit on one side, and the tenderness of finding a nurturing source and a consciousness on the other. It is worth experiencing.

No Faith in the Spectacle of ‘Exodus: Gods and Kings’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The world certainly didn’t need another “Ten Commandments,” but director Ridley Scott tries to remake the 50’s Biblical epic anyway – led by Christian Bale as a scowling and shouting Moses. Yet Bale can’t hold a staff to Charlton Heston and Scott is no Cecil B. DeMille. Ostensibly this is a movie about the power of faith, but Scott’s film has no soul within.

Cillian Murphy, Robert De Niro in Messy ‘Red Lights’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Red Lights” is a mess. And yet it’s also not messy enough. Allow me to explain. Rodrigo Cortes’ follows up his vastly superior “Buried” with this supernatural tale filled with plot contrivances that would make M. Night Shyamalan call bullshit and yet he does so with a direct, straightforward style when a bit less polish would have given the piece the character it is missing.

Sirens Flash Red For Woody Harrelson in ‘Rampart’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The “thin blue line” is a police term. It represents the designation between the protection the police provides and the anarchy that is on the other side of that protection. The cop that Woody Harrelson portrays in “Rampart” crosses that line repeatably, formulating his own retribution.

Taylor Lautner Stars in Silly, Ineffective ‘Abduction’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – After the success of “The Twilight Saga: New Moon” and “The Twilight Saga: Eclipse,” Taylor Lautner could have taken any number of paths to breakout with his own star vehicle. He chose to try and fashion himself into an action star, appearing in this weekend’s “Abduction” as a young man discovering he has a very special past. He gets to find love, kick some ass, and even kill some bad guys. And all of it is very, very silly.

Simon Pegg, Seth Rogen Have Close Encounter in Fun ‘Paul’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When having fun at the movies seems in short supply, the British film duo of Simon Pegg and Nick Frost come along with one of their goofy, comic tributes to our cinematic heritage. After zombies in “Shaun of the Dead” and action heroes in “Hot Fuzz.” Pegg and Frost take on the extra terrestrials in “Paul.”

Ed Helms, John C. Reilly Find the Heart in ‘Cedar Rapids’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – It is great to witness a star being born. Ed Helms, who so memorably stole the show in “The Hangover,” breaks out even further with a career defining performance as Tim Lippe in the warm and funny new comedy, “Cedar Rapids.” John C. Reilly, Anne Heche, Sigourney Weaver and Isiah Whitlock Jr. lend essential support.

‘WALL-E’ Earns Accolade as 2008’s First Perfect Film, One of Best Pixar Films Ever

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0
(rarely perfect)

CHICAGO – While perfection can be characterized in many ways, there’s only one way to define perfect in the world of film: a picture that has everything you could ask for with nothing you could cut. Though this is a highly unlikely proposition, “WALL-E” has become 2008’s first perfect film and one of the best Pixar projects of all time.

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  • Cornerstone, Nothing Without a Company

    CHICAGO – We all need some help. The stage play group Nothing Without a Company realizes that, and has collaborated with the organization “Cornerstone” to provide that assistance. Cornerstone is a seminar and a happening in downtown Chicago, facilitated by “experts” to generate your potential. The presentation has a Thursday-Sunday run at Michigan Avenue’s Artspace 8 through April 29th, 2018. Click here for more details, including ticket information.

  • Cold War

    CHICAGO – Local filmmaking is thriving, thanks to the many creators who choose to make independent movies in Chicago. Co-directors Stirling McLaughlin and J. Wilder Konschak (also writer) brought their cast and crew to the Windy City to make their comedy, “Cold War.” The film made its digital debut on April 6th, 2018, and will be available on iTunes, Google Play, FandangoNow, Amazon, Vudu and more.

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