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Colin Firth, Nicole Kidman on Track in ‘The Railway Man’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – One of the hidden implications of World War II was the suffering of Post Traumatic Stress Syndrome (PTSD) from the millions of soldiers who survived the horrors of that war. The difficulties associated with PTSD are communicated with honor by Colin Firth in “The Railway Man”

Brutal Next Chapter Defines ‘Nymphomaniac: Vol. 2’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The exploration of sexuality is a stark breakthrough in the “Nymphomaniac” film series by writer/director Lars von Trier. In the story of a woman interacting with her nature, there are shades of all physically active individuals. “Nymphomaniac: Vol. 1” covered the younger days of the main character of Joe. Vol. 2 takes her to the next, and more brutal phase – challenging her life and her disposition.

Nature, Morality Collide in ‘Nymphomaniac: Vol. 1’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Writer/director Lars von Trier creates exposure through his film art. He is unafraid to explore the very nature of being human, while at the same time revealing the very foibles of barriers to our nature – social structures, economies, religion and our own conceits in life. Lars von Trier’s latest barrier breaker is “Nymphomaniac: Vol. 1.”

Forced ‘Thor: The Dark World’ Sequel Lacks Passion, Sci-Fi Basis

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – For me and the subculture as a whole, so much of science fiction came from “Star Trek”. If creator Gene Roddenberry were alive today to witness “Thor: The Dark World,” he’d tell it to focus on being a superhero film rather than failing to dabble in science fiction.

‘Thor: The Dark World’ is Little More Than Marketing For ‘The Avengers 2’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Few major films have felt less creatively inspired and more commercially conceived than Alan Taylor’s dull “Thor: The Dark World,” a wannabe blockbuster with all the personality and ingenuity of a straight-to-DVD sequel. It is a film that simply fades into the background of other films, both already produced and still-to-come.

New ‘Romeo and Juliet’ is Almost Passable if You Haven’t Seen It, Unnecessary if You Have

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – When I walked out of my screening for 2013’s “Romeo and Juliet” with Hailee Steinfeld (Oscar nominated for “True Grit”) and London’s Douglas Booth (previously unknown to the U.S.), I had to remember that not everyone’s seen this story in one way or another.

David Fincher’s Stunning ‘The Girl with the Dragon Tattoo’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – David Fincher’s “The Girl with the Dragon Tattoo” comes with waves of expectations from fans of the Stieg Larsson books, the Swedish original films, the director’s previous beloved works, and even drama over a certain national outlet breaking an agreed-upon embargo. Could it possibly live up to the hype? If you can let it go and just appreciate the film for what it is — absolutely.

Lars Von Trier’s Mesmerizing ‘Melancholia’ Turns Depression Into Art

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Lars Von Trier’s “Melancholia” is a mesmerizing, haunting portrayal of the world-shattering force of depression from a filmmaker who has first-hand knowledge of the debilitating disease. With career-best work by Kirsten Dunst and some of the most confident filmmaking from its controversial director, this is one of the best films of 2011, a stunningly original examination of that which is completely out of our control.

Despite Loveless Love Story, ‘Thor’ Deserves Your Popcorn-Flick Dollar

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When big-budget films set their sights on being the next Hollywood blockbuster, they’re almost always built on a formulaic groundwork of proven ingredients. While these films often lose points for much of the same and little of the new, plunking a mighty $150 million into the production “Thor” has found a way to be both formulaic and successful.

Halle Berry Expresses All Roles in ‘Frankie and Alice’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The stunning looks of Halle Berry is always the lead whenever the entertainment media considers her. But in “Frankie and Alice,” she reminds us of why her career continues to flourish and why she is a Best Actress Oscar winner.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

  • Remember Me, Rita Moreno

    CHICAGO – Academy Award winner (in 1962!) Rita Moreno is in the midst of a big media comeback. The 86 year-old actress, who famously portrayed Anita in that Oscar-winning role in “West Side Story,” is in her second season of the “One Day at a Time” reboot on Netflix, and is featured in the indie film “Remember Me,” available now for download and Video On Demand.

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