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Tyrese Gibson

‘The Fate of the Furious’ is a Vehicle Running on Fumes

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Bigger, Dumber, and Duller…that’s the name of the game this time in this ongoing franchise which is now so ludicrous it makes Bond films seem like the epitome of realism. While it’s true this is the first time Oscar winners and a “Fast and the Furious” film have ever been associated together, there’s a dearth of inspiration in this eighth go around, as this series is now operating almost completely on autopilot.

Relentlessly Action-Packed ‘Furious 7’ Actually Has a Story, Too

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I’ve never classified myself as a “Fast & Furious” franchise fan. Nor have I been a hater. I’ve fallen somewhere in between – willingly watching the popcorn flicks but then quickly going about my life as fast as the furious action ended. Until “Furious 7”…

Wham Bam Pass the Popcorn, Man For ‘Furious 7’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The “Fast & Furious” franchise of films has probably one of the strangest evolutions in action history. What began as a rebellious street race movie, has morphed into a sort of superhero saga. “Furious 7” amps up that element of it, creating a mythic and magical “Kingdom of F&F Cars.”

Formula Takes Another Lap in ‘Fast & Furious 6’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “How did you know the car would be there to break my fall?” Everything you need to know about the current tone of the “Fast & Furious” franchise exists in that line. Not only are these people superhero enough to leap through the air from one vehicle to another but this is a world in which automobiles are designed to BREAK falls. It’s ridiculous, insane escapist entertainment, and while the bloated running time and less-exciting setting makes “Fast & Furious 6” a slight step down from the more well-paced “Fast Five,” it’s still a damn fun ride that’s sure to please the audience out to see a sixth installment of vehicular man-sanity.

‘Fast Five’ Furiously Finds Fun Factor in Franchise Finest

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Maybe director Justin Lin learned how to have fun directing the now-classic paintball episode of “Community.” Wherever he figured out that his movies need not be so damn self-serious or wordy, he took that knowledge to the set of “Fast Five,” a movie that this critic who hated “Fast & Furious” absolutely dreaded when it was first announced. Now I can’t wait for the inevitable sixth movie in the most unexpected mega-franchise of the new millennium.

‘Transformers: Revenge of the Fallen’ is Galaxies Away From its Predecessor

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – There are often many reasons sequels should not be made. “Transformers: Revenge of the Fallen” is one of them.

Seeking that “Allspark” exhilaration pumped into many of us from the original “Transformers,” moviegoers will flock to the sequel with anticipation.

In Purely Exploiting Gratuitous Violence, Paul W.S. Anderson’s ‘Death Race’ Remake Kills All Comedic Value

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – While 2008’s “Death Race” makes no secret about being a remake of 1975’s “Death Race 2000” with David Carradine as the title character Frankenstein and Sylvester Stallone as his archrival Machine Gun Joe Viterbo, what’s perhaps less obvious but still clear is how the film steals from others.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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