Will Smith

Boot This Reboot of ‘Men In Black International’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Men in Black International” is less a reboot than a frantic attempt at CPR for the once viable franchise … which never should have made it to a fourth installment. That’s not to say this is totally unwatchable. But it’s a kind of okay not-that-great-not-that-awful iteration which neither reminds us why we liked the series in the first place nor has much of a reason to exist.

‘Aladdin’ Remake Doesn’t Live Up to Animated Source

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The Walt Disney Studio (cash) obsession with turning their animated film hits to live action movies continues this Memorial Day weekend with “Aladdin,” which adapts the 1992 classic. What worked in 2018 with “Beauty and the Beast” falls flat with this title, because the animated version plays better.

There is Little Beauty to Be Found in ‘Collateral Beauty’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Charles Dickens once said, “Reflect upon your present blessings — of which every man has many — not on your past misfortunes, of which all men have some.” Seeing the trailer for “Collateral Beauty,” it’s obvious this is the theme of the film, but it is also the theme of this review. My “blessing” to you is the foresight not to waste your time with this film.

Freaky Villains is Where ‘Suicide Squad’ Works Best

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGODC Entertainment, feeling the heat from Marvel Studios and the tepid response from “Batman v Superman,” comes back stronger with “Suicide Squad,” an overblown yet psychological comic book film about sociopathic villains who somehow have to save the world.

‘Concussion’ Can’t Quite Tackle its Difficult Subject

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Concussion” suffers from what I call the “Moneyball” problem – it’s got an interesting subject matter, but it doesn’t seem to know what to do with it. It doesn’t have enough faith in its own material or its audience, so it stocks up on a lot of off-the-shelf melodrama in effort to avoid digging into what makes the story interesting in the first place. It’s also a movie that chickens out at the end and seems afraid to pick a fight.

‘After Earth’ Proves M. Night Shyamalan’s Checkmate With Mismatched Smith Family

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Oscar accolades are a godsend, but so are they an affliction. They’re the ultimate vote of respect from your industry, but then you’ve got to keep being as genius as they thought you were. In M. Night Shyamalan’s case, it’s all gone downhill since his 1999 smash-hit “The Sixth Sense,” which was nominated for six of these portly golden statues.

Horrendous ‘After Earth’ Insults Entire Planet

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The “sci” in M. Night Shyamalan’s sci-fi blockbuster “After Earth” clearly stands for Scientology and not science. There’s nothing remotely approaching honest science in this boring, preachy, horrendously made film that occasionally looks good but has nothing more worthwhile to say than a pamphlet trying to get you to convert to a cult. “Danger is real. Fear is a choice.

‘Men in Black III’ Deserves to Be Neuralyzed From Memory

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Men in Black III” is such a soulless venture, a film made by committee that doesn’t display the touch of anyone with any remaining actual interest in the characters. In the pipeline for years, the film has been fine-tuned to the point that all of its personality was buffed out in the process.

Jackie Chan, Jaden Smith Are Kickin’ it in Remake of ‘The Karate Kid’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Despite any resistance that must have been felt in remaking the quasi-classic 1984 film “The Karate Kid,” veteran Jackie Chan and Jaden Smith put their best kicking feet forward and spin some new cloth out of the old material. In resetting the location and putting in some surreal modern touches, this remake mostly succeeds.

Superhero Film ‘Hancock’ With No Superhero Ancestry Proves Bold But Deadly Decision

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – With superhero films as hot in 2008 as psychedelics were in the 1960s, the new blockbuster superhero film “Hancock” fits in with the label but without any of the ancestry.

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  • Grace, Or the Art of Climbing

    CHICAGO – What is life but a constant climb? The Brown Paper Box Co., one of the most vital storefront theater groups in Chicago, asks that question and more in the significant “Grace, Or the Art of Climbing.” Using a woman’s journey through some difficult situations, the parallels of “the climb” become a artfully performed story that is all inspiration and uplift. The play runs through July 7th, 2019, at Stage 773 in the Belmont Avenue Theater District in Chicago. For more information and tickets, click here.

  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

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