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Film Review: ‘Love, Simon’ is a Palatable Queer Film Entry That Leaves Us Wanting

CHICAGO – Anyone who has ever held a big secret knows that the weight of it is usually worse than the secret itself. The only thing worse than that is when the secret you’re holding back is your true self. “Love, Simon” explores the all-too-familiar, high school coming of age story, but with the added complication of coming to terms with your sexuality and identity.

Film Review: Keep Your Eye on Jennifer Lawrence in ‘Red Sparrow’

CHICAGO – It is movie star time for JLaw (Jennifer Lawrence) in ‘Red Sparrow,’ because her performance transcends the muddy plot, and her charisma – even with the lowest of low key characters – creates an interest in her thought process, even as she muddles through the story.

Film Review: ‘Maze Runner: The Death Cure’ Has Run Out of Life

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

Film Review: ‘The Post’ Illuminates the Skills of Meryl Streep

CHICAGO – For all the films Meryl Streep is privileged to make – which is remarkable considering the industry’s attitude toward older actresses – she has even admitted that the audience may be tired of seeing her. But as publisher Katherine Graham in ‘The Post’, she nails yet another great performance.

Film Review: Delightful ‘Ferdinand’ Keeps it Simple & Funny


CHICAGO – Like the repeat tenets of real estate, good animated films come down to story, story, story. And ‘Ferdinand,’ an older children’s tale adapted to modern audiences, combines a gentle source narrative with palatable visual and cartoon jokes. It’s fun for the whole family!

Film Review: Mustache Has More Than ‘Murder on the Orient Express’

CHICAGO – “Murder On The Orient Express” is a movie that is never quite as interesting as the main character’s mustache. Kenneth Branagh directs and stars as Agatha Christie’s most famous detective, Hercule Poirot. While it is a departure from the source novel, Branagh sports silver streak facial hair of audacious eccentricity.

Film Review: ‘Kingsman: The Golden Circle’ is High-Flying Spy Fun

CHICAGO – “Kingsman: The Golden Circle” is a hard “R”-rated sequel with a thoroughly juvenile soul. It pairs silly wordplay, dirty jokes and a startling amount of bloody and gratuitous violence while its tongue remains thoroughly in cheek. This is a James Bond movie as made by an unusually sadistic 16-year-old under the influence of some not entirely legal substances.

Film Review: ‘War for the Planet of the Apes’ Delivers Old Hollywood Glory

CHICAGO – Since the Golden Age of cinema, theaters have tried countlessly to deliver up big budget films. Summer is here and the public is showing that they are cooling off these blockbusters, no longer fooled by the thought that cost equates to quality. “War for the Planet of the Apes” shows us that blockbusters may still be redeemed by channeling some Old Hollywood magic.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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