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Film Review: ‘Assassin’s Creed’ Has Odd Breeding for a Movie

Assassin's Creed

CHICAGO – I’m not a gamer, but of course I’ve heard about “Assassin’s Creed.” The film based on the video game is a wild and undisciplined attempt to expand that particular universe, but does succeed in creating an oddball science fiction that has implications in geo-religious power and control.

Film Review: Brainiac Fulfillment is the Key to ‘Hidden Figures’

CHICAGO – In America, there is the history we have, and the history that we want to have happened. “Hidden Figures” falls into the second category, but it’s presented in such a way that it fulfills the goal – tell an amazing story about a group of African American women who helped launch men into space.

Film Review: Two Stories Clash in Uneven ‘Rules Don’t Apply’

Rules Don't Apply Front

CHICAGO – Movie icon Warren Beatty had wanted to make a film about 20th Century billionaire Howard Hughes for close to 40 years. On the heels of Martin Scorsese’s “The Aviator,” Beatty has written, directed and portrays Hughes in “Rules Don’t Apply,” and has created a strange farce about the mogul and a romance tale around him.

Interview: Lily Collins & Alden Ehrenreich of ‘Rules Don’t Apply’

CHICAGO – If there is one star-crossed couple in this fall’s movie line-up, it’s Marla and Frank of “Rules Don’t Apply,” as portrayed by Lily Collins and Alden Ehrenreich. The two popular young actors are trying to connect by the standards of late 1950s Hollywood in the film, a looser atmosphere but still difficult for two religious outsiders.

Interview: Film Icon Warren Beatty Knows ‘Rules Don’t Apply’

CHICAGO – When encountering film producer, director, writer and “movie star” Warren Beatty, I entered into an interview that would be truly one of a kind. The spontaneous Mr. Beatty works a talk in a give-and-take Socratic method, searching for the truth underneath the rhetoric, as he did with his new film “Rules Don’t Apply.”

Film Review: ‘Trolls’ is Catchier Than it Has a Right to Be

CHICAGO – “Trolls” isn’t the type of confection that I would normally subject myself to, but at least it didn’t make me want to stick knitting needles in my ears. That’s because “Trolls” aspires to be this season’s “Frozen,” a full blown animated musical jam packed with songs you can’t get out of your head as much as you might try.

Interview: Directors Mike Mitchell & Walt Dohrn of ‘Trolls’

CHICAGO – The delightful new animated film “Trolls” takes the familiar doll to a new level of fun and heart. Behind this invention is the director team of Mike Mitchell and Walt Dohrn, who have worked together in various animation roles over the years before teaming up in their first collaboration for Dreamworks Studio.

Film Review: No Need to Bother ‘Keeping Up with the Joneses’

Keeping Up with the Joneses

CHICAGO – “Keeping Up With The Joneses” illustrates how hard it really is to make a funny action comedy. After watching this, I have begun to think that the ones that work are something of anomaly – more often than not they’re like this. An amiable but aimless project that can’t quite grasp what it wants to be and doesn’t have the vision or the laughs to sustain itself.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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