HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Film Review: Rousing Adventure Awaits in ‘Kong: Skull Island’

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
Average: 5 (1 vote)

CHICAGO – King Kong is a wholly generated creature of the movies. Ever since the gorilla legend came to life on screen way back in 1933, he has appeared in countless official remakes, cheap exploitation flicks and now as a symbol of American overreach. He still rules in “Kong: Skull Island.”

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

The story is by John Gatins – interpreted by three screenwriters – and directed with confidence by Jordan Vogt-Roberts (“Kings of Summer”). The premise is right on point, as Skull Island becomes a destination in 1973 for a shadowy government agency, clueless scientists and a military desecrated by Vietnam. The obvious Kong/Cong allegory (as in Viet Cong) is never overtly exposed, it just becomes apparent as the mission creeps into potential tragedy on the island (sound familiar?). Besides this cool symbolism, the scale of the CGI monsters and humans interact well in the story, with enough humanity to play against the mystery of Kong and the island itself – it’s great popcorn stuff and a testament to how modern filmmaking should work. Somewhere Merian C. Cooper, the impresario of the first Kong movie, is smiling.

The year is 1973, and the Vietnam War is whimpering to an end. Bill Randa (John Goodman) knows government funding is ending as well, so he manages to get one more project through his shadow government agency approved. It is a expedition to Skull Island, an uncharted land mass in the Pacific Ocean. Randa hires James Conrad (Tom Hiddleston), and ex-British military attaché and expert tracker. The military gives the crew a helicopter escort through Lieutenant Colonel Preston Packer (Samuel L. Jackson).

There are always suspicions, and they are represented through photojournalist Mason Weaver (Brie Larson) who tags along hoping to expose more government folly. The government, military and scientific crew barely makes land before they are attacked by giant gorilla Kong, the protectorate of Skull Island. When casualties mount, Lt. Col. Packer wants the kill, which is contrary to the warnings from an American WWII veteran Hank (John C. Reilly), stuck on the island since 1944. To escape harm, they all have to learn who or what Kong is.

“Kong: Skull Island” opens every where on March 10th, in 3D and regular screenings. See local listings for 3D theaters and show times. Featuring Tom Hiddleston, Samuel L. Jackson, Brie Larson, John C. Reilly and John Goodman. Screenplay by Dan Gilroy, Max Borenstein and Derek Connolly. Director by Jordan Vogt-Roberts. Rated “PG-13”

StarContinue reading for Patrick McDonald’s full review of “Kong: Skull Island”

Kong1
The Menacing Title Character of ‘Kong: Skull Island’
Photo credit: Warner Bros.

StarContinue reading for Patrick McDonald’s full review of “Kong: Skull Island”

Post new comment

The content of this field is kept private and will not be shown publicly.
CAPTCHA
This question is for testing whether you are a human visitor and to prevent spam submissions.
Image CAPTCHA
Enter the characters shown in the image.

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker