The 10 Biggest Oscar Snubs of 2009

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CHICAGO – Stories are released every year about the gap between the Oscars and public opinion. It’s a chasm that seems to be growing with every passing year.

For the 81st-annual Academy Awards, this legendary group had a chance to close that gap and nominate two films for best picture that were critically acclaimed and commercially successful: “The Dark Knight” and “WALL-E”. But they blew it.

The two films did land a combined fourteen nominations, but were excluded from Best Director and Best Picture, proving that the Academy still has a long way to go when it comes to actually recognizing the best of the year. But they were far from the only mistake revealed on Thursday morning, January 22nd, 2009.

Before we discuss the serious snubs, Best Foreign Language Film is too much of a joke to be considered eligible. The likely winner, Waltz With Bashir, is very deserving, but the process is so flawed that it makes the inevitable win for Ari Folman’s excellent film a slightly hollow one. The fact that the Academy still employs a process that makes one of the best foreign films of the year (Let the Right One In) ineligible and ignores one of the most critically acclaimed choices like Gomorrah from even making the short list is mind-boggling to me. It’s not snubbing, it’s utter nonsense.

Picking ten snubs from this year’s list of nominees was shockingly easy. In fact, there wasn’t a single category that didn’t have a worthy contender on the outside looking in. And how do you rank them? What’s more painful - Sally Hawkins, Christopher Nolan, Darren Aronofsky, or Rosemarie DeWitt still being unable to put Oscar nominee next to their name? Instead, we’re picking the biggest snub per category with the big eight and then two notable omissions from the other categories rounding out a top ten (well, top eleven if you’re being picky).

Dear Zachary
Dear Zachary.
Photo credit: Oscilloscope

10. “Dear Zachary” for Best Documentary

Kurt Kuenne’s amazing dissection of pure evil and immeasurable good didn’t even make the short list for a category that’s almost as messed up as Best Foreign Language Film. Man on Wire will probably and predictably win but there were so many other choices they could have made to join it then the ones they did. Trouble the Water was powerful, so that’s a great nod, but it is mind-boggling to me that Werner Herzog gets snubbed for one of the best nature documentaries of the last few years, Grizzly Man, but nominated for a film that even he would admit wasn’t nearly as good, Encounters at the End of the World. But all of it pales in comparison to the most powerfully emotional experience that I had in 2008 - Dear Zachary. Like Foreign Language Film, this will be a category that I use for a bathroom break.

Winner Bruce Springsteen for Best Original Song in a Motion Picture for
Winner Bruce Springsteen for Best Original Song in a Motion Picture for “The Wrestler” on stage during the 66th Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 11, 2009
Photo credit: Paul Drinkwater/NBC

9. “The Wrestler” by Bruce Springsteen for Best Song

This is perhaps the most head-scratching snub of the day. It’s clearly not an anti-Boss thing, as they gave him the award for “Streets of Philadelphia”. No, I think there’s a deeper problem here. I think this category is broken. Maybe after giving the trophy to Three Six Mafia (deservedly, I might add), something snapped. How else do you explain the THREE nominations for “Enchanted” in this category last year (snubbing Eddie Vedder’s great work on “Into the Wild” and tunes by John Mayer, Rufus Wainwright, and Bob Dylan) and now this disaster? Don’t get me wrong. The two songs from “Slumdog Millionaire” are both good and it will be ridiculously cool to see M.I.A. perform on the Oscars. And I love the track from “WALL-E” by Peter Gabriel. But did they forget the other two nominees? How about “The Wrestler” and “Dracula’s Lament” from “Forgetting Sarah Marshall”? Come on. It’s not too late. Just pretend there were five all along. We’re gonna need a laugh after all the “Reader” and “Frost/Nixon” clips anyway.

Let the Right One In
Let the Right One In
Photo credit: Magnolia

8. “Let the Right One In” by John Ajvide Lindqvist for Best Adapted Screenplay

I know it will be a cold day in movie hell when a foreign horror movie gets a nomination this prestigious, but that doesn’t mean it wasn’t snubbed. The script for Tomas Alfredson’s stunning study of vampirism and adolescence is easily better than three of the chosen nominees and arguably second only to Simon Beaufoy’s stunning work on “Slumdog Millionaire”. No offense to the talented people chosen for this category, but could it have been any more predictable? Take the award-winning plays, the F. Scott Fitzgerald adaptation, and something called “The Reader” has to be a great adapted screenplay, right? “Let the Right One In” is a challenging, daring examination of childhood isolation through the lens of the vampire mythology. It’s a wonderful screenplay that was probably not even considered. It will stand the test of time far more impressively than “Frost/Nixon” or “The Reader”.

Anonymous's picture

I hear Let the Right One In

I hear Let the Right One In was released to late to be considered best foreign film but that shouldnt matter since it was the best film 2008.

tdog's picture

gran torino

this was the worst oscar nominations ever. i will not be watching. first, how could clint eastwood not get a nod for acting or directing, why did brad pitt and jolie get nominated they were horrible. bruce springsteen not getting nominated was a joke. the wrestler was 1 of the best songs of the past couple of years, even though he wins the golden globe. christopher nolan not gettin ghte director nod was outrageous. so was robert downey jr. he only was nominated cuz he pretened to be black. the academy only likes films about gays, people overacting, immigrants, and people trying to be black or women trying to be men vice versa. this is horrible. o ya they also loves movies about the holocaust. there wer 500 movies about the holocaust.

Dean's picture

I was underwhelmed by

I was underwhelmed by everything but Ledger’s brilliant performance in TDK. The performance, coupled with tragedy, made TDK feel explosive to most people. To me, it fizzled when HL was off-screen. I still can’t tell you what happens in the film’s final third, and I’ve seen it 3 times. It just doesn’t stick.

BTW, long ago, one way I learned about which movies were the great one was via the Oscars. But what I did was, I went thru each year’s nominations and listed each film that got even one nod. If you were to do this, you would end up with 80 year-centric lists of movies to see.

2008’s list reads as such: The Curious Case of Benjamin Button, Slumdog Millionaire, The Dark Knight, Milk, Wall-E, Frost/Nixon, The Reader, Doubt, Revolutionary Road, The Wrestler, Frozen River, Changeling, Wanted, The Duchess, Man on Wire, The Class, In Bruges, Encounters at the End of the World, Kung Fu Panda, The Garden, Trouble the Water, Tropic Thunder, The Visitor, Vicki Christina Barcelona, Rachel Getting Married, Revanche, Departures, Australia, The Baader Meinhof Complex, The Betrayal, and Waltz With Bashir.

Nothing to hate on in that list, really. Unless you wanna get nitpicky and say that the three best movies of 2008: The Fall, Synecdoche NY and Wendy and Lucy—are nowhere to be seen on it. But I expected that to happen a LOOONG time ago.

Also, as far as respecting the audience and the box office. I say huzzah to the guy who previously wrote: “They do that already. It’s called The People’s Choice Awards. Watch that and get your fill.” Perfectly said.

Listen, the Academy routinely gives awards to huge blockbusters. Lord of the Rings, Chicago, Gladiator, Dances With Wolves, Braveheart, Crash, Titanic, Forrest Gump, American Beauty, The Silence of the Lambs, Driving Miss Daisy, The English Patient, and on and on we go. Like these movie or not, one thing CANNOT be denied: They each made serious bank at the B.O. BEFORE they were even nominated for their Oscars. So don’t gimme this cryin’ bullcrap about “the academy don’t like us awdience members—wahhh!!!” If you want my opinion, they need to start nominating some movies that made less than a MILLION at the boxoffice—oh, say, movies LIKE The Fall, Synecdoche NY, Wendy and Lucy and, yes, Happy-Go-Lucky and Let The Right One In. But hey, I know that ain’t (always) gonna happen (though it does happen to a few films each year). Yet you don’t see me stompin’ around all mad about it. I grew up a long time ago, and have learned to take joy in the simple existence of these movies. And, maybe, just maybe, I should be thankful they don’t win big awards: this way, they somehow seem like my very own finds. They’re more special that way.

Finally, I would submit that the way to salve any wounds you might have over TDK not being nominated for more than 8 awards, and Wall-E not being nominated for more than 5…is to stop paying attention to the Oscars alltogether. Believe me, they will not miss you, and will keep going on.

Anonymous's picture

“Yet you dont see me

Yet you dont see me stompin’ around all mad about it”

Sounds like your stompin mad about something.

BrianTT's picture

The Academy List

Putting aside our vast difference in opinion on TDK and debate over whether or not you’re “stompin’ around all mad,” I’m intrigued by your “one nomination” list idea and have a suggestion that could make such a process more comprehensive although still flawed - combine it with the Independent Spirit Awards nominees. This year, that would add several must-see movies for 2008 - Wendy & Lucy, Synecdoche, Ballast, The Hurt Locker, Sangre de mi Sangre, Gomorra, Hunger, Secret of the Grain, Silent Light, and Up the Yangtze, plus more.

When you were done, you’d still be missing a large portion of the quality foreign films of the year including Let the Right One In, Tell No One, The Edge of Heaven, Still Life, A Christmas Tale, I’ve Loved You So Long, and The Flight of the Red Balloon. Some of those films are among the best of the year and certainly all worth seeing and more important to the overall cinematic picture of 2008 than, say, Australia or The Duchess.

And having Steven Soderbergh’s (Che), David Gordon Green’s (Snow Angels & Pineapple Express), and even the Coen brothers’ (Burn After Reading) film fall through the cracks seems a shame but I suppose that’s nitpicking.

But it’s an interesting idea.

Anonymous's picture

The main problem is there

The main problem is there are no great movies this year. We could talk all night long (and more) about the dubious merits of The Reader or Benjamin Button, but in the end, the Oscars aren’t really there to please moviegoers. There’s obviously a lot of negativty surrounding TDK, because it’s the kind of film that draws crowds who end up putting it in the top ten of all time on IMDB and so forth, and that’s a thing you have to dislike if you feel that movies are about more than what TDK offers. However, this does not mean that in comparison to other films this year, TDK does not stand out.

I guess it would have been suited to give Nolan a best director nod, given that putting TDK on the “Best Picture” list seems unsuited. But then again, seeing a pile of utter mediocrity in the two films I just mentioned above (especially The Reader), I can only feel that TDK would’ve raised both profile and quality of that category. If anything, The Reader and Benjaming Button are the ones which should’ve only raked in “technical” and acting nominations.

Dean's picture

I debated whether to rise to

I debated whether to rise to the bait of such a stupid comment as “Oh, certainly seems yer stompin’ mad about somethin’” That’s the level of response I would expect from people who might have a problem with what I am mad about: the mass love for a mediocre superhero movie that, save for one performance, is no better than the vast majority of other film denizens of that dull and bankrupt genre.

Jon's picture

Pretentious

And that comment is something I would expect from a person who feels as if they are better and know more about movies than “superhero flick” fans. If you knew anything about film at all you would realize that The Dark Knight is incredibly in each and every individual aspect that makes a film including Direction (Chris Nolan was nominated for Best Director in DGA Awards), Writing (Nomination again for Best Adapted Screenplay in WGA Awards), the seven technical fields it was nominated in by the Academy (Cinematography, Art Direction, Make-Up, Film Editing, Sound Editing, Sound Mixing, and Visual Effects), the Score, and the acting (with brilliant performances by ALL OF THE CAST with special consideration for Heath Ledger, Aaron Eckhart, Morgan Freeman, and Gary Oldman.

Don’t believe me? Look at RottenTomatoes. Read the 94% Reviews of The Dark Knight, then read the 60% reviews of The Reader and the 72% reviews of The Curious Case of Benjamin Button.

Should the Academy award The Dark Knight because of the fact that it broke record upon record in the box office and DVD sales? No, of course not. Spiderman 3 did the same thing, and everyone knows that movie sucked. The Dark Knight, however, is clearly deserving of the Nominations in the top categories and just because it received 8 nominations in other CLEARLY DESERVING categories, doesn’t mean it should be snubbed from the Big 3 (Writing, Directing, Producing).

THE READER? ARE YOU KIDDING ME?

Anonymous's picture

Every year, there is always

Every year, there is always a movie, or a performance that is overlooked by the Academy. Obviously, we all have differing opinions about every movie. I didn’t think that a statement so blatantly obvious would draw so much hatred out of a crowd.

I thought The Reader was spectacular. I thought Benjamin Button was spectacular. I thought Slumdog Millionaire was a near masterpiece. I thought Milk was above average. I thought Frost/Nixon was just okay.

The beauty about my opinions was that people will disagree with me.

And I am fine with that.

If you ask me, the nominations could have easily been Button, Slumdog, Milk, The Wrestler and The Reader, as I feel like that adequately sums up the Best Pictures.

It would be nice to see The Dark Knight up there…but when push comes to shove, as wonderful as it was…it is just a good movie. It is not the second coming.

And again….my opinions.

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