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Oscar Week: Podtalk with Greta Gerwig, 2018 Oscar Best Director Nominee for ‘Lady Bird’

Greta Gerwig, "Lady Bird"

CHICAGO – One of the most fulfilled movies of 2017 was the sublime “Lady Bird,” the major film debut of actor Greta Gerwig. Nimbly shooting her own script, the achingly honest story about a teenager (portrayed essentially by Saiorse Ronan) going through her Senior Year of high school in Sacramento, California, was a breakout film of the year, and was nominated for Best Picture, as well as Best Actress for Ronan, Best Supporting Actress for Laurie Metcalfe (as the Ronan character’s mother) and Best Original Screenplay/Best Director for Greta Gerwig.

Film Review: Funny ‘The Disaster Artist’ Takes Us Back to ‘The Room’

CHICAGO – “The Room” is a post-millennial cult movie that plays the midnight and college movie circuit, entertaining audiences with its sheer badness. Its story is told in the “The Disaster Artist,” featuring James Franco as the director of “The Room,” and he also directed the film. Very meta.

Film Review: Authentic Coming-of-Age in Expressive ‘Lady Bird’

CHICAGO – In one of the best American films of 2017, Greta Gerwig went behind the camera to write and direct an autobiographical overview of her Senior Year in high school, within a directionless town and family. The result is enlightening truth, told with laugh-out-loud directness and connective empathy. The film is a total winner.

Film Review: Individualism in ‘Menashe’ Challenges the Tribe

CHICAGO – We all belong to something, be it a family, workplace, congregation or (expansively) a tribe. But within all that belonging is a sometimes nagging feeling of being an outsider. There is not a human being in existence that hasn’t felt that way, and a new film expresses that feeling in “Menashe.”

Interview, Audio: Abby Quinn, Gillian Robespierre & Elisabeth Holm of ‘Landline’

Landline Abby Quinn, Elisabeth Holm, Gillian Robespierre photo by Patrick McDonald

CHICAGO – It takes a collaborative village to make a movie, and part of that collective came to Chicago to promote “Landline.” Director Gillian Robespierre, Co-Writer Elisabeth Holm and debut actress Abby Quinn were essential to the film, which is set in 1990s New York City and features Jenny Slate in the lead role.

Interview, Audio: David Lowery, Writer & Director of ‘A Ghost Story’

CHICAGO – Not all supernatural tales are meant to scare, and writer/director David Lowery haunts in a different way with his new film, “A Ghost Story.” Using the classic “white sheet” costume, with actor Casey Affleck underneath it for most of the film, Lowery creates a spirit with both emotion and a contemplation of its fate.

Film Review: ‘It Comes at Night’ is a Terror-Filled, Nightmarish Delight

CHICAGO – Good horror films are difficult to find. Last year, we got the extremely satisfying horror film, “The Witch,” with breakout star Charlie the goat, AKA Black Phillip. Horror films that aren’t franchised cliches are hard to come by, but “It Comes at Night” delivers. The entire atmosphere is mysterious and foreboding. We go into this film blind as if we were stumbling through a forest at night. That is where we find the terrors, and ourselves.

Interview, Audio: Trey Edward Shults Directs ‘It Comes at Night’

CHICAGO – In 2016, a new filmmaker voice made its way into the scene, and it was significant. Trey Edward Shults released his debut film “Krisha,” a shattering story of addiction and its effect on family. The film got him a deal with the distributor/producer A24, and his sophomore effort – the horror/thriller “It Comes at Night” – will be released on June 9th, 2017.

Interview: Director Azazel Jacobs Looks at ‘The Lovers’

Azazel Jacobs The Lovers

CHICAGO – There is a familiar Stephen Sondheim song called “Send in the Clowns,” which speaks of the absurdity of relationships, and their ups and downs. Writer/director Azazel Jacobs has kind of made a movie version of that song’s meaning, with the trials of a married couple, cheating on each other, in “The Lovers.”

Film Review: 'Free Fire' Knows That Happiness is a Warm Gun

Free Fire

CHICAGO – In a film that had a sassy, arbitrary perspective on its own flipped-out story, “Free Fire” sought to out-Quentin Tarantino in freaky funny characters and ammo-splurging gun battles. Director Ben Wheatley (“High-Rise”) took an ensemble cast to rarified heights of insult comedy, revenge dynamics and bullets that hit the bone.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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