CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – The theme of Season Two is ‘unraveling’. Lies unravel, best laid plans unravel, loyalties unravel and most of all Norma and Norman Bates unravel in increasingly spectacular fashion. This pulpy re-imagining of the Bates family history is easily one of the best things on TV and the premiere episode of Season two isn’t afraid to take advantage of how attached audiences have become to the Twitchy pair and their assorted and very troubled friends and neighbors.
CHICAGO – A&E’s “Longmire,” returning tonight for its second season, can be a great show. It’s an underrated Western-mystery hybrid with a stellar lead performance from Robert Taylor and a heavy dose of “No Country For Old Men” atmosphere. “The Glades,” also returning tonight for its fourth season, is a more inconsistent program but has produced some solid episodes over its run.
CHICAGO – Few characters in the history of pop culture are as well known as Norman Bates. In fact, if you don’t know who (or where) the title of A&E’s new show, “Bates Motel,” refers to then you probably won’t enjoy it, presuming you have cable below the rock under which you live anyway.
CHICAGO – When I heard that A&E was airing a remake of Michael Crichton’s wonderful slice of ’70s health care paranoia “Coma” (based on the book by Robin Cook), I thought, “That makes perfect sense.” With our current national focus on what’s going to happen to us when we get sick along with the continued health issues of the aging Baby Boomer generation, a “Coma” remake was a great idea.
CHICAGO – Taking a modern day cowboy character from an Elmore Leonard novel and giving him his own show turned out to be a smart move for FX when they green-lit “Justified,” so one can hardly blame A&E for attempting a similar transition with Craig Johnson’s “Longmire” mystery novels, now a weekly series.
CHICAGO – A&E’s “Bag of Bones” is a mess. There are elements that work but a source material that doesn’t exactly translate to the mini-series form along with a mediocre script by Matt Venne and generic direction by Mick Garris add up to an experience that’s disjointed and inconsistent. There was a time when a Stephen King mini-series was an event – “The Stand,” “It,” even “Storm of the Century” – but what’s so disappointing about “Bag of Bones” is how inconsequential the whole thing feels.
CHICAGO – HollywoodChicago.com publisher Adam Fendelman guests on Bill Moller’s WGN Radio on June 11, 2011 to discuss the 2011 premieres of “Covert Affairs,” “HawthoRNe,” “The Glades,” “Memphis Beat” and “White Collar”.
Submit Your Comments For WGN Radio: ‘Covert Affairs,’ ‘HawthoRNe,’ ‘The Glades,’ ‘Memphis Beat,’ ‘White Collar’ TV PremieresSubmitted by HollywoodChicago.com on June 10, 2011 - 7:05pm
CHICAGO – HollywoodChicago.com publisher Adam Fendelman will appear at 9:20 a.m. on Bill Moller’s program this Saturday, June 11, 2011 on WGN Radio 720 AM in Chicago. The duo will be discussing this year’s TV premieres of “Covert Affairs,” “HawthoRNe,” “The Glades,” “Memphis Beat” and “White Collar”. Which shows are winners and which are wieners? Tune in to find out!
CHICAGO – A&E finally figured out how to mimic the ratings success of its fellow basic cable networks like A&E and TNT when it launched “The Glades” — another program built around a strong, charismatic lead. Matt Passmore carries the mystery/cop series over a few of its storytelling bumps but the program is hit-and-miss overall. Luckily, there are enough solid episodes of “The Glades” to carry the viewer through the escapist season of summer.
Television Rating: 3.5/5.0
CHICAGO – Patrick Swayze shines in A&E’s down-and-dirty “The Beast,” a show about deep undercover agents that uses its Chicago setting as well as any show in recent memory. Chicago is regularly the setting for television and film productions, but rarely has it been as much a part of the overall fabric of the show as it is on “The Beast,” one of the more promising dramas of the new year.