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Interview: Actor David Oyelowo Presides Over ‘A United Kingdom’

CHICAGO – Actor David Oyelowo is very familiar with portraying a man of consequence put into a difficult leadership role. In 2014, he took on the role of Dr. Martin Luther King Jr. in “Selma.” Currently, he is in theaters with “A United Kingdom,” which tells the story of an African prince who led his country to a new mindset in the 1950s.

Film Review: Lack of Cohesiveness, Intrigue Stymies ‘The Gunman’

CHICAGO – If you’re going to see a Sean Penn action movie, I guess “The Gunman” would be appropriate. As he and the filmmakers inject some reality in the usual motivations, the puzzle pieces don’t connect well and in the end are not that interesting. That is not to say that the film is bad.

Interview: Director Pierre Morel on Sean Penn, Liam Neeson & His Latest ‘The Gunman’

Pierre Morel of 'The Gunman,' photo by Patrick McDonald

CHICAGO – There were basically two careers for Pierre Morel, before he directed the mega-hit “Taken,” starring Liam Neeson, and afterward. The French-born cinematographer, camera operator and now director is releasing “The Gunman,” an action film that stars Sean Penn. Like “Taken,” the motivations for the action are based in the real world, and “The Gunman” travels to Africa, London and Barcelona on his way to redeeming his soul.

Film Review: Story Too Broad to Execute in ‘Machine Gun Preacher’

Machine Gun Preacher 2

CHICAGO – When one movie has an ex-con, drug retribution violence, his religious conversion, his building of a church, his preaching, his trip to Southern Sudan in Africa, his opening of an orphanage and his family, then it’s too big a story to tell. Therein lies the challenge for “Machine Gun Preacher.”

Interviews: Gerard Butler, Sam Childers on ‘Machine Gun Preacher’

CHICAGO – Gerard Butler is movie star good looking, that is very apparent when meeting him. What wasn’t expected was his keen insight, passion and perspective on taking on a challenge and playing a true-life Pennsylvania preacher, who ends up helping children in the most corrupted areas of the Southern Sudan in Africa, in “Machine Gun Preacher.”

Film Review: Strength of ‘Life, Above All’ Found in Khomotso Manyaka

Life, Above All 2

CHICAGO – As long as one person is inflicted with HIV, or full-blown AIDS, the crisis will never be averted, despite less of a profile in America and Europe. Africa is still in the midst of dealing with the epidemic, and Khomotso Manyaka portrays a symbol of that struggle in the enlightening “Life, Above All.”

Interviews: Oliver Schmitz, Khomotso Manyaka of ‘Life, Above All’

CHICAGO – The spectre of AIDS seems to have diminished, but the continent of Africa still has a huge problem fighting the disease. Director Oliver Schmitz (”Paris, Je T’Aime”) focuses his lens on this physical and cultural crisis in “Life, Above All.”

Interview: ‘22 Years From Home’ Director Malachi Leopold

Kuek Gurang of "22 Years From Home"

CHICAGO – The “Lost Boys” of Sudan in African history has carved a place in culture representing extreme acts of terror in the midst of civil war. Malachi Leopold, a Chicago producer/director, will debut his documentary profiling one of those Lost Boys – Kuek Gurang – in “22 Years From Home,” April 27th at the Music Box Theatre here.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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