CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.
CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.
CHICAGO – Comcast is a company of diversity, and has launched several options through that diversity with their Xfinity system options, and within their corporate culture. Joining the Spanish bilingual choice, and their in-house Accessibility Lab benefitting persons with disabilities, Comcast recently announced the launch of speciality content with LGBTQ themes. The Executive Director of Multicultural Services, Jean-Claire Fitschen, was recently in Chicago to promote the launch.
CHICAGO – Matthew McConaughey’s performance as a 1980s-era HIV positive man in the drama “Dallas Buyers Club” is a gangbusters piece of acting. However, some highly exaggerated characters and soft soaping of reality creates a more gauzy romance of the situation than true grit.
CHICAGO – As long as one person is inflicted with HIV, or full-blown AIDS, the crisis will never be averted, despite less of a profile in America and Europe. Africa is still in the midst of dealing with the epidemic, and Khomotso Manyaka portrays a symbol of that struggle in the enlightening “Life, Above All.”
CHICAGO – The spectre of AIDS seems to have diminished, but the continent of Africa still has a huge problem fighting the disease. Director Oliver Schmitz (”Paris, Je T’Aime”) focuses his lens on this physical and cultural crisis in “Life, Above All.”