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Film Review: ‘Kingsman: The Golden Circle’ is High-Flying Spy Fun

CHICAGO – “Kingsman: The Golden Circle” is a hard “R”-rated sequel with a thoroughly juvenile soul. It pairs silly wordplay, dirty jokes and a startling amount of bloody and gratuitous violence while its tongue remains thoroughly in cheek. This is a James Bond movie as made by an unusually sadistic 16-year-old under the influence of some not entirely legal substances.

Film Review: Glaring Lack of Originality Handicaps ‘The Bad Batch’

Bad Batch, The

CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”

Interview, Audio: Director Ana Lily Amirpour Stirs up ‘The Bad Batch’

CHICAGO – The dystopia – or negative future world – is a genre staple, from “Soylent Green” to “Max Max.” The latest film to ponder the possibilities is “The Bad Batch,” from writer/director Ana Lily Amirpour. This is her sophomore feature, after “A Girl Walks Home Alone at Night,” and features Suki Waterhouse in the lead role.

Interview: Director David Farrier Finds No Mirth in ‘Tickled’

CHICAGO – In the underbelly of American society, if you dig deep enough, there is also an underbelly to the underbelly. When a New Zealand journalist named David Farrier goes to such depths, on a story about competitive tickling (yes, tickling people to laughing fits), he gets much more that he bargained for.

Interview: Director Justin Simien Reflects on ‘Dear White People’

CHICAGO – Some say, to use a FOX News term, that America is “post-racial.” The election of Barack Obama is supposed to have ended the debate on race, and any marginalization because of race. Of course, that is not possible in society and culture, and it’s articulated in writer/director Justin Simien’s new film, “Dear White People.”

Film Review: ‘The Purge: Anarchy’ Can’t Decide What it Wants to Be

CHICAGO – “The Purge: Anarchy” is a cake-and-eat-it film. On one hand there is a monotonous display of firepower, courtesy of a suspension of laws for one night a year, but it also wants to temper this lawlessness with indictments of government, the rich and the law itself.

Interview: Zach Gilford on the World in ‘The Purge: Anarchy’

CHICAGO – Zach Gilford is a familiar face to fans of the TV series “Friday Night Lights,” where he portrayed Matt Saracen. The actor grew up around Chicago in Evanston, Ill., and has risen through the ranks of acting in his new home of Los Angeles. He currently is featured in the sequel film, “The Purge: Anarchy.”

Film Review: Nothing But Fear, Anger in Dinesh D’Souza’s ‘America’

America Dinesh D'Souza

CHICAGO – Dear Dinesh D’Souza: Why are you afraid of alternate narratives in American History? History, as we know, is written by the winners, and you seem all sad and angry that one man, Howard Zinn, wrote a History of the United States by defining the desperation of the people left behind in the American dream. Why is that so awful? You define it as “progressive left wing” narrative, but what is your propaganda film – blithely called “America” – but a distillation of your view of history?

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bobby Pin Girls

    CHICAGO – The “breeder years” are difficult on everyone, as the biological imperative becomes overwhelming and the couplings that result yield both discovery and misadventure. Nothing Without a Company’s new play “Bobby Pin Girls” highlight two such Millennial women, roommates who are having man trouble, although the argument can be made that it’s eternally “boy trouble.” The show has a Thursday-Sunday run at the Chicago Mosaic School through December 10th, 2017. Click here for more details, including ticket information.

  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

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