Armie Hammer

Film Review: A Heroic Ruth Bader Ginsburg in ‘On the Basis of Sex’

CHICAGO – Many heroes of America toiled long behind the scenes to break the chains of oppression. For every Susan Anthony or Martin Luther King Jr. there were the activists, legal experts and volunteers who sought the justice denied to them by the archaic patriarchal society. One such hero is Ruth Bader Ginsburg in the film “On the Basis of Sex.”

Film Review: Pungent & Trippy Satire in ‘Sorry to Bother You’

CHICAGO – If the film “Get Out” was a shot across the bow in satirizing black and white skin relationships, then “Sorry to Bother You” is a freaking Tomahawk missile. It’s about the time, the space and the state of the human race, which comes to a crescendo of wild and untamed proportions.

Film Review: Armie Hammer Sits for Geoffrey Rush in ‘Final Portrait’

CHICAGO – Paris in the 1960s seems to be a place where anything was possible. “Final Portrait” is an indication of this, as Armie Hammer portrays a Mad Men style American critic (what!) in 1964, who sits for a portrait painting by eccentric artist Alberto Giacometti, portrayed with relish by Geoffrey Rush.

Interview, Audio: Michael Stuhlbarg in ‘Call Me By Your Name’

CHICAGO – The character actor Michael Stuhlbarg is one of the more complete players in today’s show business. His embrace of a role is absolute, and his characters ring with a particular poetry based on his interpretations. His latest role is of an academic and father in the new film, “Call Me By Your Name.”

Film Review: ‘Cars 3’ Puts Series Franchise Back on Right Track

CHICAGO – The Cars movies continue to be the kiddieland of Pixar Animation franchises. Kids adore them, parents tolerate them. Unlike the best of Pixar’s output, the Cars films are lovingly crafted cartoons aimed squarely at kids with far more attention detail than the average fare you’d find scrolling through Netflix. The best that can be said is that “Cars 3” represents a considerable step up from “Cars 2”.

Film Review: 'Free Fire' Knows That Happiness is a Warm Gun

Free Fire

CHICAGO – In a film that had a sassy, arbitrary perspective on its own flipped-out story, “Free Fire” sought to out-Quentin Tarantino in freaky funny characters and ammo-splurging gun battles. Director Ben Wheatley (“High-Rise”) took an ensemble cast to rarified heights of insult comedy, revenge dynamics and bullets that hit the bone.

Interview: Director Ben Wheatley Ignites His New Film ‘Free Fire’

CHICAGO – One of the more lovely examples of pure cinema – if that description can be given to a film with nearly constant gunplay – is in the upcoming release of “Free Fire.” Director Ben Wheatley (“High-Rise”) constructs a dark and funny scenario within one room, and fills it with symbolism and homage to other movies.

Film Review: ‘Nocturnal Animals’ Takes Two Stories to New Levels

CHICAGO – Reality and fantasy have separate rules, and in fantasy there are no rules. This is the philosophy of “Nocturnal Animals,” a wild character study that exists on the reality/fantasy planes. And it has the bonus of the Amy Adams/Isla Fisher mix-up and Jake Gyllenhaal at his Gyllenhaal-iest.

Film Review: ‘The Birth of a Nation’ Depends on its Own Piety

CHICAGO – “The Birth of a Nation” has been making news since it premiered at the Sundance Film Festival early this year. Taking place before the American Civil War, this incendiary look at a real slave rebellion in the deep South does pack a punch, but its approach isn’t completely successful.

Film Review: ‘The Man from U.N.C.L.E.’ Just a Big Screen Bore

CHICAGO – Director Guy Ritchie’s big screen version of the 1960’s spy show “The Man From U.N.C.L.E.” is a colossal waste of time for all involved. The original show was never all that good to begin with, but this film is never able to clear that admittedly low bar, or even replicate any of the TV show’s small pleasures.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • It's NOT ALL About You John Michael

    CHICAGO – John Michael epitomizes the art of the monologue. The Chicago transplant, by way of Dallas, is moving on (he says temporarily) from the city that inspired his last show, “Meatball Seance,” after notorious and successful runs of his other one-man shows, “John Michael and the Order of the Penix” and “Dementia Me.” His farewell performance is his latest, another laugh riot, “It’s NOT ALL About You John Michael,” and will take place at Mary’s Attic in Chicago’s Andersonville neighborhood on March 1st, 2019. Click here for details, including ticket information.

  • Soccer Player in the Closet, The 2

    CHICAGO – Connecting to the theater collective Nothing Without a Company means a couple of things. One, you may visit parts of Chicago you’ve never seen before – in this case a plant store in an industrial area south of Humboldt Park – and two, you will see some daring and outside-the-box stagings. “The Soccer Player in the Closet” is their latest production – a World Premiere – and it provides what the title implies and beyond. The play runs through March 17th, 2019. Click here for more details, including ticket information.

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