CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – If you need a little cinema therapy, it doesn’t get any better than “Toni Erdmann.” This subtle story builds to generate a joyful feeling, which defines the small-but-important survival guides for this thing called life. Writer/director Maren Ade has delivered the goods, and the film is nominated for Best Foreign Language Film at the upcoming Academy Awards.
CHICAGO – Last week, one of the most diverse film festivals of the year in Chicago opened with the Swedish film “The Paradise Suite.” The 19th Annual Chicago European Union Film Fest will be at the Gene Siskel Film Center on State Street. With countries ranging from Austria to Slovakia, European cinema voices will be available to the Chicagoland area through March 31st, 2016.
CHICAGO – The horrors of the Holocaust have been expressed in cinematic art through many angles. “Woman in Gold” takes another track, that of restoring a work of art that was stolen from a Jewish family in Austria. The legal maneuverings, however, lacks a sense that this is victorious.
CHICAGO – The painting “Portrait of Adele Bloch-Bauer” was created by Austrian artist Gustav Klimt, and was considered Austria’s greatest artwork. The remarkable journey of the painting, stolen from its original Jewish family by the Nazis during World War II, is the basis for the new film, “Woman in Gold,” directed by Simon Curtis.
CHICAGO – The international reputation of director Michael Haneke (”Caché,” “Funny Games”) is due in no small part to his longtime collaboration with cinematographer Christian Berger, who photographed Haneke’s latest film, “The White Ribbon.”