HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

Bill Murray

Film Review: ‘Ghostbusters’ Entertains, But Lacks the Paul Feig Edge

CHICAGO –Throughout the reboot of “Ghostbusters,” it becomes obvious that co-writer/director Paul Feig (“Bridesmaids,” “The Heat”) is just going to do a straight re-do of the 1984 film, because the film lacks his sardonic touch, even though it does entertain and has the requisite big special effects.

Film Review: ‘The Jungle Book’ is a Technical Marvel Missing Some Magic

CHICAGO – While Disney Studios’ new live action version of “The Jungle Book” is an improvement over the 1967 animated version, it’s more of a technical marvel than magical fable. And it’s unable to completely transcend the earlier version’s limitations.

Film Review: Bill Murray Rolls Downhill in ‘Rock the Kasbah’

Rock the Kasbah

CHICAGO – What’s up with this movie? Everything in it is so wrong headed, despite movie star casting and a attempt toward “current events.” Setting itself in a modern and complex country – Afghanistan – but creating a perspective on that country that is straight ugly American, “Rock the Kasbah” is a total downer.

Interview: Director Douglas Tirola on ‘Drunk Brilliant Stoned Dead: The Story of the National Lampoon’

Drunk Stoned Brilliant Dead: The Story of National Lampoon

CHICAGO – Before the days of 24/7 internet access to every form of entertainment that exists, there were eras of radical performance expression that changed the landscape of attitudes toward everything – think of The Beatles evolving music and also changing social culture. The roots of another evolution, especially in comedy, began with a modest humor magazine that brought together the right mix of anarchists and misfits. What they did would influence comedy for years afterward, and their story is told in “Drunk Stoned Brilliant Dead: The Story of National Lampoon,” directed by Douglas Tirola.

Film Review: Unusual, Passionate ‘Aloha’ is Deeply Resonant

CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.

Preview: Final Four Nights of 2015 Chicago Critics Film Festival

CHICAGO – As the Chicago Critics Film Festival (CCFF) – a film festival as programmed by the members of the Chicago Film Critics Association – heads into its last four nights, the variety and depth of the films that are being screened continues to astound and entertain. It all takes place at the Music Box Theatre in Chicago, May 4 through 7, 2015.

Film Review: ‘Dumb and Dumber To’ Too Dumb to Be Funny

CHICAGO – “Dumb And Dumber To” is an exercise in diminishing returns. Jim Carrey and the Farrelly Brothers expend twice the effort for less than a third of the laughs. It benefits greatly from the enormous well of goodwill created by the original’s inspired idiocy.

Blu-ray Review: Bowling Comedy ‘Kingpin’ Rolls Onto Blu-ray

Kingpin Blu-ray

CHICAGO – Before 1998’s “The Big Lebowski” there was 1996’s “Kingpin”, the Farrelly brothers bowling comedy that didn’t have the narrative intricacies of the Coen brothers’ classic, but had plenty of jokes about middle-aged men playing the sport. Today finds the release of “Kingpin” to Blu-ray for the first time, coming with only one new special feature.

Film Review: Phony ‘St. Vincent’ is Bill Murray’s Worst Choice Since ‘Garfield’

CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).

Interview: Ted Melfi Directs Bill Murray in ‘St. Vincent’

CHICAGO – There are few better opportunities for a filmmaker than directing Bill Murray in a character role. Theodore “Ted” Melfi got that assignment, after pursuing Murray with his screenplay for the new film, “St. Vincent.” The effort to convince the veteran comic actor to take the title role paid off, and other notable actors joined in.

Syndicate content

User Login

Free Giveaway Mailing


  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


HollywoodChicago.com on Twitter


HollywoodChicago.com Top Ten Discussions