CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.
Brown Paper Box Co.
CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.
CHICAGO – The Brown Paper Box Co., which embodies the passion and simplistic beauty of the storefront theater tradition, presents another fantastic and insightful musical, “Now. Here. This.” Director M. William Panek guides a splendid cast of two women and two men in a reflective, modern day morality tale.
CHICAGO – In 1972, an historic television special took place, featuring the top talents at the time at the top of their game. “Liza with a ‘Z’” featured Liza Minnelli, fresh from her Academy Award winning performance in the film “Cabaret.” The Brown Paper Box Co. will present “Mary’z with a Z,” at Mary’s Attic on May 5th and 6th, 2016, and will perform the songs from this TV special, in order and in (appropriately) cabaret style, with contributions from their ensemble and some of the biggest song talents in storefront theater in Chicago.
CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).