CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.
CHICAGO – Some films never get a fair shot with audiences. They open in a handful of art house theaters scattered throughout the country before inconspicuously landing on DVD. Passionate movie lovers are left with the task of championing these unjustly obscure titles and helping them to acquire the audience they deserve.
CHICAGO – How can the directorial debut of the Fonz’s son slip by unnoticed during its initial theatrical run? Max Winkler was only 25 when he shot “Ceremony,” a film dismissed by many critics as a mere imitation of Wes Anderson’s “Rushmore.” To be fair, Winkler looks remarkably like the iconic filmmaker, and his premise does bear certain similarities to Anderson’s widely celebrated 1998 comedy.