Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Some films never get a fair shot with audiences. They open in a handful of art house theaters scattered throughout the country before inconspicuously landing on DVD. Passionate movie lovers are left with the task of championing these unjustly obscure titles and helping them to acquire the audience they deserve.
CHICAGO – How can the directorial debut of the Fonz’s son slip by unnoticed during its initial theatrical run? Max Winkler was only 25 when he shot “Ceremony,” a film dismissed by many critics as a mere imitation of Wes Anderson’s “Rushmore.” To be fair, Winkler looks remarkably like the iconic filmmaker, and his premise does bear certain similarities to Anderson’s widely celebrated 1998 comedy.