CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
CHICAGO – Some films never get a fair shot with audiences. They open in a handful of art house theaters scattered throughout the country before inconspicuously landing on DVD. Passionate movie lovers are left with the task of championing these unjustly obscure titles and helping them to acquire the audience they deserve.
CHICAGO – How can the directorial debut of the Fonz’s son slip by unnoticed during its initial theatrical run? Max Winkler was only 25 when he shot “Ceremony,” a film dismissed by many critics as a mere imitation of Wes Anderson’s “Rushmore.” To be fair, Winkler looks remarkably like the iconic filmmaker, and his premise does bear certain similarities to Anderson’s widely celebrated 1998 comedy.