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Chris O’Dowd

Film Review: Aaron Sorkin’s Directorial Debut in ‘Molly’s Game’

CHICAGO – High stakes poker are for folks who prefer to get their rush of adrenalin from the turn of a card rather than other life risks. The positives, the negatives and everything in between are in “Molly’s Game,” the feature directorial debut of Aaron Sorkin (“The West Wing” creator). Let’s walk and talk.

Film Review: Phony ‘St. Vincent’ is Bill Murray’s Worst Choice Since ‘Garfield’

CHICAGO – “Garfield, maybe” was the sole utterance of regret that iconic actor/prolific movie-golfer Bill Murray expressed in 2009’s “Zombieland” before he died. Should the adoration for this cameo resurrect him for that film’s announced sequel, Murray will hopefully denounce “St. Vincent,” his most needless and perverse career choice since vocally birthing “Garfield” (and yes, that includes getting a handjob as Franklin Delano Roosevelt in 2012’s also terrible “Hyde Park on Hudson”).

Interview: Ted Melfi Directs Bill Murray in ‘St. Vincent’

CHICAGO – There are few better opportunities for a filmmaker than directing Bill Murray in a character role. Theodore “Ted” Melfi got that assignment, after pursuing Murray with his screenplay for the new film, “St. Vincent.” The effort to convince the veteran comic actor to take the title role paid off, and other notable actors joined in.

Film Review: The Catholic Priest on the Road to ‘Calvary’


CHICAGO – The title of the film, “Calvary,” should have resonance to any guilty Catholic out there, and yet the loaded word can’t deliver the truth that the film seeks. Brendan Gleeson gives an astonishing performance as a conflicted priest, but the material he has to work with is not up to his portrayal.

Interview: Nick Frost Kicks Up His Salsa Heels in ‘Cuban Fury’

Cuban Fury

CHICAGO – Nick Frost has played character and comic roles as the affable sidekick, especially in the famed “Cornetto Trilogy” – “Shaun of the Dead,” “Hot Fuzz’ and “The World’s End” – alongside Simon Pegg and director Edgar Wright. Frost is a leading man now, strutting his stuff on the salsa dance floor in “Cuban Fury.”

Blu-ray Review: Familiar But Beautiful ‘Epic’ Looks Great in HD


CHICAGO – It’s unlikely that you’ll see a more visually striking American animated film in 2013 than Fox and Blue Sky Studios’ “Epic,” a film that was written off by many critics and audience members in its May release but that has more going for it than your average family fare. Now available on Blu-ray and DVD, “Epic” frustrates in the way that it too often falls back on storytelling crutches that we’ve seen before but the movie looks great at every turn. It’s the kind of animated flick that’s designed to show off your new Blu-ray player and accompanying HD TV. The special features are disappointingly thin but the movie deserved a bigger audience that it is likely to find on Blu-ray.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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