CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – “Q.U.B.E.” Director’s Cut is the definitive extension of 2011’s “Q.U.B.E.” (Quick Understanding of Block Extrusion), and it is an utterly compelling game with an elegant mix of gameplay, storytelling, and aesthetic. Those elements, for the most part, combine to make an extraordinarily intriguing and mind-bending puzzle adventure.
CHICAGO – “Journey” is a gentle breeze. It approaches gradually – alighting your skin and igniting your thoughts with its poetic brilliance. It’s as much a game as it is an exercise in interpretive storytelling and emotional art design, and everybody – gamer and non-gamer alike – should play it.
CHICAGO – After playing Life is Strange shortly after its launch, I thought it was the type of game that would make a minor splash then fade relatively quickly into obscurity. The concept was genius, but the execution, particularly in terms of visuals and dialogue, was severely lacking.
CHICAGO – Double Fine Productions delves into the deepest, most repressed parts of the imagination and brings the wonders it finds into our reality. I took a long while to play and review “Broken Age,” the company’s Kickstarter darling, not because it was long or overly difficult, but because I was left thinking about the game constantly once I finished.
CHICAGO – Dontnod Entertainment struck potential conceptual gold with “Life is Strange.” Iterating on Telltale’s point-and-click episodic narrative adventure formula, they’ve crafted a truly intriguing world that begs to be explored through the lens of protagonist Max Caulfield’s eyes.
CHICAGO – When I first opened Turtle Rock Studios’ “Evolve,” I was fully prepared to rage quit matches and yell at the screen. My gaming skill lies more in the realm of platformers and adventure games than strategic shooters. My first few matches following the short tutorial were exactly as I expected. I fumbled around the arena doing little to help my teammates.