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Dave Foley

Film Review: Pixar Scores Again With Delightful ‘Monsters University’

CHICAGO – Let’s everybody say it together, “the key to great animation is a great story.” This has to be the motto for Pixar Animation – now part of Disney. Their latest, “Monsters University,” is a prequel with a heart, soul and attention to what makes this type of entertainment work.

TV Review: Clichés Dominate CBS’s Stupid ‘How to Be a Gentleman’

CHICAGO – It’s funny how one tweak of the formula can lead to something tasty while another can lead to something rancid. On paper, CBS’s “2 Broke Girls,” one of the breakout hits of the season both critically and commercially, is not that dissimilar from “How to Be a Gentleman,” which premieres tonight on CBS in the cush post-“The Big Bang Theory” timeslot.

DVD Review: ‘The Kids in the Hall’ Makes Case For Greatness

The Kids in the Hall

CHICAGO – I’ve long, long said that any conversation about the best sketch comedy series of all time that doesn’t include “The Kids in the Hall” is totally worthless. Sure, “Saturday Night Live” has longevity and “Mr. Show” was an amazing program, but the recently-released box set of the entire output of “The Kids in the Hall” certainly makes a strong case that they should be not just on the list but arguably at the top. There’s SO much greatness in this box set that it’s nearly overwhelming (and the 2010 comeback series “The Kids in the Hall: Death Comes to Town” has also been included).

Blu-Ray Review: Pixar Continues HD Dominance With ‘A Bug’s Life’

A Bug's Life

CHICAGO – If you have yet to jump on the Blu-Ray bandwagon or are new to the HD revolution and have yet to see a Pixar film in 1080P, the new edition of “A Bug’s Life” would be a great place to start. With releases like the great one for “WALL-E” and now this gorgeous transfer for “A Bug’s Life,” Disney/Pixar produces HD video clarity that really must be seen to be believed.

Uwe Boll Pukes Out Another Opus of Insufferable Screen Time in ‘Postal’

CHICAGO – At the Chicago screening of “Postal” for critics, director Uwe Boll introduced his new film as a personal “The Kentucky Fried Movie” attacking the heart of America. Boll – a German national – has produced several “B”-grade movies in both Germany and the U.S. However, “Postal” is his first attempt at writing and directing within the American market.

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